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Jameyanne Rereads Harry Potter, 2019 Edition: Prisoner of Azkaban, Goblet of Fire, and Order of the Phoenix

Last week, I talked about my thoughts as I reread the first two Harry Potter books. This week, I’m going to share my thoughts on the next three books in the series, Prisoner of Azkaban, Goblet of Fire, and Order of the Phoenix, which I reread in January and February.

Quick reminder, there will be spoilers in these posts, and if you don’t want to be spoiled for whatever reason, you shouldn’t read this.

I love all the different ways you can group the Harry Potter books. For example, my initial plan for these posts was to talk about the first three books in one post, then books four and five, then books six and seven. This would group the three shorter books, which are commonly thought of as middle grade books together. Things get darker in books four and five, but in some sense they’re sort of transition books as Voldemort gains strength and returns to power but stays hidden in the shadows. And then I would talk about the sixth and seventh book as the climax and wrap-up of the series with the wizarding world’s second war. I changed this plan because my post for the first three books would have been really long. But once I rethought where I split the books, this also seemed a natural split. The first two books introduce us to the wizarding world, the characters, the villain, the plot (including details that will definitely come back in the later books). In the third book, we really dive into the circumstances around Harry’s parents’ murder and the fall of Voldemort, and of course Wormtail escaping at the end paves the way for the fourth book. In the fourth book, Harry is kind of a puppet in Voldemort’s plan, which succeeds. And in the fifth book, Harry is fighting to get people to believe what happened. These three books also follow Harry’s relationship with Sirius, and Prisoner of Azkaban is the first book in which Harry’s victory is not absolute (and it only goes downhill from there). There are certainly other ways you could group the books: 1 and 2, 3 and 4, and then 5 6 and 7; or 1 2 3 4 and then 5 6 7; or 1 2 3 and then 4 5 6 7; or anything else you can think of. You could even group 2 and 6 together, or 1 and 5. There’s so much in these books I’m sure you could find all manner of reasons to group them any way you want. I chose my organization scheme because it fit well with three mid-length posts.

So let’s dive in.

Harry Potter and the Prisoner of Azkaban

I’ll say from the get-go that this may be one of my favorite books in the series. It goes back and forth between this book and the fourth book. I love this one so much! It’s so tightly plotted (everything is important to the plot here). It deals with the larger plot of the series with all the Voldemort stuff and yet it’s still really fun and innocent (compared to what comes next). And there are just so many feelings everywhere. This book really feels like the time when Harry is starting to grow up more, and I love it. If people were to ask me what’s the sort of book you would want to write, I would say Harry Potter and the Prisoner of Azkaban.

Also fair warning, last time I read this I was taking notes to write a paper on multiparty negotiations in this book for my multiparty negotiations course. The thesis boils down to Lupin is awesome. But don’t be surprised if some of that theory pops up in these comments.

Re: my comment last week about a whole bunch of characters missing big chunks of the school year in Chamber of Secrets, I think it’s possible the professors give them summer  homework to catch everybody up. I’m almost positive the only other time homework is mentioned over the summer is in Chamber of Secrets, when Hermione tells Ron and Harry she’s been busy with schoolwork, and Ron is horrified because it’s the summer.

As Harry opens his first ever birthday cards and presents from his friends at the start of this book, I do wonder about everybody else’s birthdays. I know we can’t be celebrating birthdays constantly, and Ron’s comes up in the sixth book when he’s poisoned, and Hermione buys Crookshanks as an early birthday present for herself, but it would be nice to see Ron’s and Hermione’s birthdays recognized for fun, or to see how birthdays are handled at Hogwarts.

Aunt Marge is an awful person and she totally deserved to get blown up.

Interesting thing that I knew subliminally but just put into words as I’m reading today: Lupin knows that dementors make you relive your worst memories, so when Harry says that he heard someone screaming on the train, Lupin probably has a good idea of what’s going on. I love Lupin.

Trelawney may be a fraud, but almost everything that is predicted in the first divination class comes true, even the things that Harry and Ron predict about each other. Also, why doesn’t Trelawney repair Neville’s broken teacup with magic?

Hermione is a really good liar. Like when Ron is questioning her about her wacky schedule, she is totally cool about it. I could not do this.

I don’t  quite get why Malfoy is able to get away with faking his injury for so long. We all know Madam Pomfrey can mend cuts really easily, so I don’t see how he could get away with it for so long. Like okay the ministry could still have gone after Buckbeak even without Malfoy having his arm in a sling for months, but why do the Hogwarts teachers put up with it?

Something else I have always wondered, when Sirius Black is sighted not far from Hogwars, I really want to know why he let himself be seen. Like why be a human at all? It’s not a big deal but I’m curious.

I really like the reading of the scene where Harry asks McGonagall for permission to go into Hogsmeade that McGonagall would have let him go if not for Sirius Black. She did some spying on the Dursleys back in Sorcerer’s Stone and probably has a decent sense of what Harry’s up against with them.

I just want to pause to note that Harry is just having a really bad year. Maybe that’s why I like this book so much: the tension keeps building and things go from bad to worse for everything that Harry cares about and he has so many feelings I just love it. Also Lupin is the best.

Is it me or is Harry’s schedule really inconsistent in this book? Unless I was wrong in my earlier comment that September 1 is always a Sunday because classes always start on a Monday. Right now, I’m pretty sure at first Harry was going to divination, transfiguration, and care of magical creatures on Mondays, but in November he also has defense against the dark arts on Mondays. I recognize that now I’m just being really nitpicky.

Okay, I feel stupid. It took me two and a half years of law school to realize that when Harry, Ron, and Hermione are helping Hagrid build a defense for Buckbeak, they’re doing legal research. They’re looking up precedent and building arguments around that precedent. I am once again impressed by Hermione’s brains—I doubt it was Harry and Ron’s idea. I definitely did not know how to do this at thirteen. Sometimes I doubt I know how to do it now (just kidding).

I’ve always wished that Harry took arithmancy, because I really want to know what it is and how it works and what it does in the real world. Like we never actually find out in any of the books.

Every time I read this I always tear up when Harry and the team finally win the Quidditch Cup. There’s just something so great about that whole sequence in the books.

I always have a lot of fun with the climax of this book. It is so great in so many ways, but it’s also one of those sequences that has so many moving parts that it’s really fun to imagine how it would all change if one part changed. For example, what if they stayed at Hagrid’s to argue for Buckbeak? What if Dumbledore came with them to the Shrieking Shack? Or what if Harry, Ron, and Hermione made it back to the castle with Scabbers before Sirius caught up with them, but they met Lupin instead? How would it have played out if, instead of Lupin transforming and Pettigrew escaping, the whole group made it back to the castle to talk to Dumbledore? None of these scenarios, on their face, are as climactic as the scene in the Shrieking Shack, that fight with the dementors, and the  sequence with the Time Turner, so obviously that all wins, but it’s a lot of fun to imagine how those scenes would go and how, as a writer, I might craft those alternate climaxes for maximum effect.

Why didn’t Lupin see the second Harry and Hermione on the map? Okay, I can see if he’s paying attention to Harry, Ron, and Hermione as they go down to Hagrid’s he might not notice any of the other hundred or so dots moving around, but Harry and Hermione from the future are retracing past Harry, Ron, and Hermione’s steps, so I feel like he would notice them. Of course, two Harry Potters could just break the map’s brain.

I know that there are all sorts of rules about not being seen when you go back in time with the Time Turner, but Hermione knows that she has a Time Turner, so I can imagine that she wouldn’t necessarily freak out and think there was dark magic afoot, which would allow Hermione to team up with her future self to do cool things. Or anyone with a Time Turner really. It kind of makes my head hurt to think about the logistics, but it seems like it would be a cool way to double your manpower.

Ugh the ending of this book gives me so many feelings and I love it. It’s the sort of book I’m sad to close, because I don’t want it to end, which is one of the highest compliments I can give a book.

Harry Potter and the Goblet of Fire

This is a close second to Prisoner of Azkaban for my favorite. They’re so close that sometimes this one edges out Prisoner of Azkaban. Sometimes.

The thing that I really like about all the Harry Potter books, but Prisoner of Azkaban and Goblet of Fire in particular, is how you can use them as examples for so many different aspects of writing a story. For example, I’m a big fan of how Goblet of Fire is put together—how much is going on and how it is orchestrated. Specifically, right now I’m looking at the first chapter. It’s practically a prologue, along the same lines as the first chapters of Sorcerer’s Stone and Deathly Hallows and the first two chapters of Half-Blood Prince. The first chapter of Goblet of Fire is masterful at this. It’s specific enough to tell a story, but it’s vague enough to leave you guessing for the rest of the book. At the same time, the vagueness feels natural. Voldemort and Wormtail’s conversation doesn’t feel like they’re deliberately skating the issue so the reader won’t know what’s coming. It feels like they’re having a normal conversation—or at least as normal a conversation as you can have with Lord Voldemort.

Another thing that I like about Goblet of Fire is that you dive right into the plot with that first chapter and then with Harry’s scar hurting and the Death Eater activity at the quidditch world cup. It takes a long time for them to get back to Hogwarts and for Harry’s name to come out of the goblet—about half the book actually—but it’s not wasted time.

Look, if you’re going to eat grapefruit as a means of dieting, you should just eat the whole grapefruit. Eating a quarter of a grapefruit is an awful lot of work for like twenty calories. That is not a sufficient breakfast, whatever kind of diet you’re trying. Note that I love grapefruit and carrot sticks and everything Uncle Vernon calls rabit food, and as much as I had fun reading The Unofficial Harry Potter Cookbook last year, I was pretty horrified by the way the characters regularly ate. But I am getting very sidetracked. My point is grapefruit is good; you should eat all of it.

Okay so the scene with the Weaselys and the Dursleys continues to be laugh-out-loud funny. But also a little horrifying, because if Mr. Weasley hadn’t held Harry back to get the Dursleys to say goodbye to him, they might have all been gone before Dudley ate the toffee.

I wonder what Charlie, who works with dragons, thinks about Bill wearing dragon-skin boots.

I’ve always wondered about Ron’s frog. Does it have a name? What happened to it?

Amos Digory mentions the Lovegoods going to the world cup, and I have a really hard time imagining Luna and her father at the world cup. Not that they don’t like Quidditch or anything, but it seems so normal, and they’re… the Lovegoods.

Okay, I lied earlier when I said September first is always a sunday. September 1 is a Monday in Goblet of Fire. But it’s definitely a Sunday in Order of the Phoenix, so the point still stands. And when they get to Hogwarts in Goblet of Fire they start classes on a Monday, even though two days ago it was Sunday. This is obviously not an important thing but it bugs me so much guys.

Did Dumbledore also mention that they don’t use charms, potions, or herbology as a punishment? It seems oddly specific that he would just tell Moody they don’t use transfiguration as a punishment. “Draco Malfoy the incredible bouncing ferret” is such a great scene, and I just like to imagine the conversation between Moody and Dumbledore when Dumbledore tells him specifically that they can’t use transfiguration as a punishment. Maybe Moody has a history of this sort of thing.

The tension leading up to the announcement of the champions is fantastic. I don’t know how many times I’ve read this book, but the scene in the great hall with the goblet spitting out the names gets me every time. It’s so powerful that every time I think maybe this time it will go differently. Of course it doesn’t.

The one thing about this book that I really don’t like is that it’s never really explained why Harry has to compete in the tournament once his name comes out of the goblet. What does a binding magical contract mean? What are the consequences if you break it? Is it like the unbreakable vow and you die? Or do you go to wizarding contracts court and argue that it isn’t a contract because there was no offer, acceptance, and consideration between the goblet and Harry, and anyway it would be unconscionable to force Harry to compete? (Huh, I guess I did learn something in contracts after all.) The point is, everybody keeps saying he has to compete, hee has to compete, they can’t get him out of it even though no one wants him to compete, and this would feel more realistic and more tense if the consequences of him just saying “no way” were clear.

Basically everything from Harry’s name coming out of the goblet up through the first task is so great. I love how the tension is so thick you can taste it. I always get super worked up about what’s going on. And then we get a well-timed break before things get crazy again with preparation for the second task onward. Not that the stuff that happens between the first and second tasks isn’t important, it’s just much less stressful.

I really love the casual way Neville just turns into a canary after the first task. It’s great.

DOBBY!!!

I always wonder how much information sharing is going on between Sirius and Dumbledore at this point in the book. Does Sirius tell Dumbledore that Harry saw Crouch on the map? It would explain how Dumbledore figured out Moody was actually Barty Crouch Jr. (I’ll come back to my forever confusion on that point later on), but I don’t think Sirius told Dumbledore about the map, because when Barty Jr. mentions the map later on, Dumbledore doesn’t know about it. Also, we learn later on (from Snape’s memories that we see in Deathly Hallows), that Dumbledore knows about the Dark Marks on the Death Eaters’ forearms and they’re getting stronger, but when Harry tells Sirius about Karkaroff showing Snape something on his arm, Sirius has no idea what that’s about. I’m not sure if the characters could have put everything together before all the bad stuff goes down if they’d sat down and had a good info sharing and brainstorming session, but they might have gotten closer.

So Dumbledore figures out that Moody isn’t Moody. Okay, I’m with him so far. But before Moody transforms into Barty Crouch Jr., Dumbledore has Snape go down to the kitchens to get Winky. It’s possible that he just thought whoever Moody was would tell them what happened to Mr. Crouch, but it’s almost like he knows who fake Moody really is before the Polyjuice potion wears off. He certainly doesn’t show surprise at fake Moody’s identity or even that Barty Jr. is still alive. But I just don’t get how he figured it out.

And then I just took a day to finish the whole book and had all the feelings. Oh god this book makes me cry. Every. Single. Time.

Harry Potter and the Order of the Phoenix

This, like Chamber of Secrets, is one of those books that I appreciate a lot more now than I did when I first read it. Harry is so angsty this book, and it’s annoying. But when you read it right after Goblet of Fire, instead of waiting the years we did for it to come out when we were kids, it’s a lot more understandable. It’s only been a month since Voldemort killed Cedric in front of Harry and tried to kill him. In that month, he’s pretty much been totally isolated from the wizarding world—even his friends haven’t been telling him much—and when he comes back to the wizarding world, he’s still being kept in the dark and he’s facing most people not believing him. Not only not believing him, but actively attacking him. And he has serious PTSD, which was illustrated really well by the fact that when he’s attacked by the Dementors, he doesn’t hear his parents’ deaths anymore. He hears Voldemort taunting him in the graveyard. What happened at the end of Goblet of Fire is now Harry’s worst memory.

I have always wondered what a Budgerigar is, but it’s not important to the story, so I usually just keep reading. This time around, I finally googled it. It’s an Australian parakeet. Huh. Now I know why it’s news that a budgerigar learned to water-ski. That’s very important news indeed. Moving on.

Why do some people apparate with a pop and some people apparate with a loud crack? I’m pretty sure this is never explained.

I love how Mrs. Figg uses all the wizard idioms in the one conversation we have with her. It’s great.

This is the first book we don’t get a full summary of how Harry’s parents died and why he’s famous and that he’s a wizard and everything. We get information about the past books, but it’s woven into the action much more seamlessly. I think it makes sense. Up to book 4, you probably could pick up any of the books in the series and follow along reasonably well without having read the other books. But past the point when Voldemort returns, if you don’t already know the story you’re kind of lost anyway.

It always astounds me that characters like Tonks and Luna, who become so important to the series, are only introduced in book 5. I always think they must have come up sooner, but nope. They join the plot in Order of the Phoenix.

So if they can’t take down the screaming picture of Sirius’s mother, have they tried ways to keep the curtains permanently shut so she won’t scream at them constantly? Just my random thought.

Also, I would love to see the scene where Mrs. Weasley finds out that Harry, Ron, and Hermione have been communicating with Sirius in secret for a year. She handled it pretty well when he appeared at the end of Goblet of Fire, as in she stopped screaming when Ron said it was okay, but I imagine that was not the end of that discussion.

It struck me in this book that Dean Thomas is the only one of the students we meet who was raised by muggles but who also holds on to some of his muggle identity. Every year he puts up muggle soccer posters around his bed and in this book it mentions he has pajamas in his soccer team’s colors. Harry, Hermione, and Colin Creevey all pretty much abandon their muggle identities—understandable for Harry, at least, but interesting to think about for the other characters. And it makes me really curious about Dean.

Umbridge is such a great villain. I often rate her higher than Voldemort on my favorite villains list (yes, I have one of those), because while Voldemort is scary, he’s kind of generically scary. Umbridge is the kind of villain you just love to hate. I still remember how viscerally I reacted to her making Harry cut open his own hand and write “I must not tell lies” in his own blood the first time I read the book, and I still have that reaction. It’s smaller, but somehow more sadistic, than Voldemort’s torture.

I think everything with Dumbledore’s Army might just be my favorite part of this book.

Umbridge says the ministry would want Snape to remove the strengthening solution from the potions syllabus. What in the world does that potion strengthen?

I really appreciate how thoughtful and emotionally intelligent Hermione is in this book. It really shows as they’re planning Dumbledore’s Army and talking about Sirius and Harry and Cho. I’m not saying she wasn’t those things in the previous books, but I think it comes out a lot more in this book and shows how she’s matured as a character, especially since the fourth book.

Taking notes like this as I read, I’m noticing just how much changes in the fifth book. I already mentioned we don’t get the “previously on Harry Potter…” bit at the beginning. This is also the first book where nothing happens on Halloween, and we lose Quidditch as an important part of the plot as well (more on that in a second). And these changes persist into the later books. You can definitely tell things are getting darker.

DOBBY!!!

The thing with Harry beating up Malfoy and getting banned from playing quidditch always really bugged me. I wish there had been more internal build-up with Harry’s thoughts and feelings in the moments leading up to him snapping like that. Intellectually, I know it’s probably all the things boiling over at this moment, but we don’t see it, and in the past Malfoy has definitely said worse and Harry’s just brushed it off. I think this is the moment, during this reread of the book, when I lose a lot of sympathy for Harry’s feelings. It’s definitely a good plot point, and Umbridge continues to be the worst—really, the worst—but also, come on Harry, show a little restraint, please. No? No? Okay fine no more Quidditch for you.

I really want to know how Hagrid and Madame Maxime carried a branch of everlasting fire across two countries to bring it to the giants. I know, the answer is probably “magic,” but I want to know how.

So J. K. Rowling does this great thing where she brings something up early in the book and then it comes back in a way that has nothing to do with how it first came up. I particularly love it when she does it for a chapter title. A small amount of explanation before I clarify what I’m talking about. I’m the sort of person who likes to read the table of contents before I jump into a book, because I like chapter titles. I remember, when my older brother got Goblet of Fire the day it came out, and I had to wait a few weeks to get it in Braille, I got him to read me the table of contents out loud. That was what I asked for. Another importans fact is that the Braille editions of Harry Potter are broken into volumes, because Braille is so much bigger than print. The fifth book is thirteen volumes (I have a whole wall of Harry Potter in my bedroom). So at the start of each volume is the table of contents for that volume, so I usually read that before I start on that volume. So earlier in the fifth book, Malfoy brings up St. Mungo’s and the closed ward. And so the chapter titles “St. Mungo’s Hospital for Magical Maladies and Injuries” and “Christmas on the Closed Ward” always made me think that Harry was going to be sent to St. Mungo’s. Obviously, that’s not what happened, but I loved the effect Malfoy’s reference to St. Mungo’s and then reading the chapter titles again when I got to them two or three volumes later had on me. This is probably entirely a Jameyanne phenomenon, but it happens a couple other times in the books (can’t think of them right now), so I wanted to share.

Oh wow Harry’s date with Cho is so awkward. So awkward. He isn’t as emotionally stupid as Ron, but he really makes a mess of things. Cho is pretty awful though as well, to be fair. I mean, it’s so obvious that Harry doesn’t like what’s going on and she’s pulling all this on him. It definitely feels realistic to me, but it’s still a painful scene to read.

I will forever love the whole sequence in the Department of Mysteries. It is epic!

I will also forever be mad about the two-way mirror. I know it’s important later, and I guess it makes sense why Harry didn’t open it before, but this is definitely one of those times when a character does something totally stupid and that’s what caused everything to go horribly wrong. And I kind of hate it when authors do that. In this case, it’s not even an important stupid thing. He just never opened it and forgot about it.

All in all, this is a book I appreciate more and more as I get older. It’s not one of my favorites of the series, but it is a good book, and so much great stuff happens.

And that’s it for these three books. I haven’t finished rereading Deathly Hallows yet, but I’ll be back soon with my thoughts on Half-Blood Prince and Deathly Hallows.

The Way of Kings Review

Cover of The Way of Kings by Brandon SandersonHello all. I’m back with a full review of The Way of Kings by Brandon Sanderson. I read this book last month, I really enjoyed it, and I’m excited to talk about it with you.

The Way of Kings is epic fantasy of the most epic kind. I’ve never read anything quite so expansive. The closest thing I’ve ever read in scope is Lord of the Rings, and even that focused on the same group of characters. This book is a thousand pages long. I listened to the audiobook, which was forty-five and ahalf hours. So this was also the longest book I’ve ever read (or the longest I can remember reading).

The book is set in a world that is regularly ravaged by deadly storms called high storms. Because of the storms, all plant life, down to grass, has the ability to retreat into rock shells. There are also giant crab things that the humans use to pull wagons and such, and all structures are built to withstand the high storms, because if you’re caught outside in a high storm, you’re dead. Despite their danger, the magic of the world also comes from the high storms. Gemstones left out during a storm will become infused with stormlight. These gemstones are used as currency or as light in the richer houses. Gemstones can also be used to transform one form of matter into another, like stone into smoke. And the backstory of the book is that the world is recovering from the desolations, where monsters called voidbringers attacked humanity and were fought off by the heralds and the knights radiant. The almighty, the heralds, and the knights radiant now form the backbone of the major religion of the book. The knights radiant used magical swords and armor, called shardblades and shardplate, which they left behind when they vanished. Because the knights radiant had a glowing aura and glowing eyes, class in this world is based on eye color. Those with light eyes make up the royalty and nobility, while those with dark eyes form the working class. Finally, there are magical creatures called spren that appear around humans a lot, such as pain spren, creation spren, glory spren, and so on. They’re generally just colored lights, but we do get one sentient wind spren and she is awesome.

The book begins with the assassination of the king of one of the most powerful nations in the world, Alethkar. The Parshendi nation take credit for the assassination, so the Alethi wage war on the Parshendi to avenge their fallen king. The book follows four main storylines, with several other smaller vignets scattered throughout.

First, and my personal favorite, we have Kaladin. Kaladin is a darkeyes soldier who was enslaved and sold to the army of one of the eigh princsome of Alethkar. He winds up as part of a bridge crew in High Prince Sadeas’s army on the shattered plains—a bunch of plateaus divided by deep chasms. Its the bridge crews’ job to carry the bridges for the army to cross the chasms to get to battles with the Parshendi, but Kaladin quickly learns it is also the bridge crews’ job to serve as bait and draw the Parshendi fire away from the army. Determined not to die and not to let any of his crew die, Kaladin becomes the leader of his crew and fights first to win their trust and respect and then to train them to survive. He is accompanied by Syl, an extraordinarily sentient wind spren. When their tactics start to work, and the Parshendi start shooting at the soldiers on the approach instead of the bridge crews, Kaladin is given a severe punishment he is not meant to survive. But he does survive, and he realizes he might have some power of his own, and there’s more to his relationship with the spren Syl than he first thought. So he turns that power to planning his bridge crew’s escape from the war camp.

Next, we have Lady Shallan Davar, a young lighteyes noblewoman whose family is in danger after her father’s death. Shallan hatches a daring plan to become apprenticed to the king’s sister, gain her trust, and then steal her soulcaster, the glove encrusted with gemstones that allows the princess to transform one thing into another. But Shallan is soon sucked into the princess’s studies of the origins of the voidbringers and their connection to the old king’s assassination. And soon (relatively speaking), she realizes that she and the princess are hiding the same secret.

Next, we have High Prince Dalinar, uncle to the current king and brother of the old king who was assassinated. Before he was assassinated, the old king pointed Dalinar to a book called The Way of Kings and told him to follow the codes in the book, which lay out strict protocol for war time. The old king also wanted Dalinar to unite the often fractious high princes of Alethkar. While following the codes and striving to form alliances among the high princes, Dalinar also begins having visions of the desolations of the past and the knights radiant during the high storms. He falls under a lot of scrutiny and his own sons begin questioning his sanity, until Dalinar is left trying to choose between following his own instincts or admitting that he is going mad and abdicating his position.

Finally, and perhaps I should have started with this character, we have Szeth-son-son-Vallano, also known as the assassin in white. You guessed it: he killed the old king of Alethkar. Szeth is truthless, which means (I think) that he must obey anyone who carries his oath stone. Like he’s magically forced to. He also carries a shardblade and has the ability to bind objects to each other for short periods of time, which allows him to do some cool things like reverse gravity and run along the ceiling, and otherwise makes him a really good assassin. As the book progresses, Szeth is drawn into a conspiracy that involves a lot of death, and he carries it out, weeping as he kills noble after noble.

Like I said, this was a really long, complex book, and I am only just beginning to scratch the surface with this description. I do hope this gives you enough to decide if this sounds like something you’d be interested in reading. To help with that decision, let’s dive into what I thought of the book.

I think my favorite part of this book was the characters and the world. The characters were all so different, and the world was so alien but so vivid and intricate, and I really loved all that. It was just so easy to get immersed in this story.

On the other hand, it was long. I won’t say it was a slog, but it was a slow, deliberate march. There was a fair amount of exposition, and the plot was sprawling, as you can see from above. There ar some connections that I didn’t make until I looked up the wikipedia summary to get the spellings of characters’ names right (hint: keep an eye on Wit). As much as I liked the book, I had a hard time getting through it because it was so long and so sprawling. I remember being about six hours from the ending and positive that there was no way all of this was going to come together.

But yes, it did come together, and it was pretty spectacular. It was one of those great moments where I actually let out a horrified “Aha! Oh god!” in the middle of the kitchen.

I do wish, after all that, that the ending had been more of a conclusion. I understand that the book is the first in a series, and I also understand that I have been conditioned by a lot of other books to expect the first book in a series to be a complete story that you can continue if you wish. I’m okay with first books not standing on their own. I really am. But this book was just so long that the fact that it wasn’t a complete story bugged me.

On the other hand, oh my god that ending!

One last thing that drove me nuts was that there were two narrators for the audiobook, and they pronounced a couple characters’ names differently. Like come on, people. Communicate on this stuff.

My overall thoughts are that I really, really liked this book. I don’t think I loved it as much as the first Mistborn book,but it was still really good. I’m not convinced it needed to be as long as it was, and while I liked the ending, I wish it had wrapped up more. I loved the world and the characters, and the ending had me dying for the next book. I’m on the waiting list to get the sequel from the library right now, and I’m hoping to get it soon. I have a feeling it is going to be awesome!

In the meantime, have you read The Way of Kings? What did you think?

The Bane Chronicles Review

Cover for The Bane Chronicles by Cassandra Clare, Sarah Rees Brennan, and Maureen JohnsonLast week, I finished The Bane Chronicles by Cassandra Clare, Sarah Rees Brennan, and maureen Johnson. This is a collection of short stories about events in the life of Magnus Bane, one of the major characters in Cassandra Clare’s Mortal Instruments, Infernal Devices, and Dark Artifices series (possibly others but these are all I’ve read). I did my best in this post to talk about this book without spoilers, but it was difficult given how closely tied to Clare’s other work this is.

I really liked this book. It’s a lot of fun, but at the same time, it’s not entirely fluffy adventures. There is definitely some dark stuff in these books. What I particularly like is the ability to see several big events in history (centuries apart) from the same point of view character. Over the course of these stories, we see Magnus’s adventures in Peru (which may or may not have led him to be banned from Peru), his attempt to save Marie Antoinette and the royal family during the French Revolution, his stint running a speakeasy in the late 1920s, his discovery of a ring of vampires getting high on humans addicted to drugs in the 1980s, and more. I liked how cohesive this book was, and I had fun putting together what I learned about Magnus in each story.

There was, as I’ve mentioned, some overlap with the existing books in Clare’s shadowhunter universe. In one story, we meet Will Herondale’s father, Edmund, and in another story Magnus encounters James Herondale, Will and Tessa’s son. Later on, we see Magnus’s first interaction with Valentine’s Circle, the story of how he first meets Jocelyn and Clary from Magnus’s point of view, his first date with Alec, and another story about Magnus trying to figure out what to get Alec for his birthday. The final story is all the messages on Magnus’s voicemail after what happened at the end of City of Fallen Angels. While all these stories were interesting, I thought they were on the whole weaker than the stories that were just about Magnus and his adventures, with the exception of the first date with Alec because that is a great story. These stories were burdened by the fact that they were connected so heavily to the plot of the other books. For them to be complete short stories, there had to be a fair amount of exposition that wasn’t necessary in the other stories. At the same time, as I worked my way through these stories, I was definitely looking forward to seeing Magnus’s perspective on the crucial events in the main books of the series. I think I would have been disappointed if there was no overlap at all. And I definitely did enjoy these stories. So while these stories weren’t as strong on their own in my opinion, connected to the broader universe they are great.

If you haven’t read any of Cassandra Clare’s books before, I’m not sure I would recommend this as a starting point. I don’t think it would make a lot of sense. But if you’ve read any of her books, this collection is great fun and I definitely recommend.

Jameyanne Rereads Harry Potter, 2019 edition: Sorcerer’s Stone and Chamber of Secrets

Every year I reread the Harry Potter books. I’m a nerd like that. And every year, I discover something new.

Recently, a friend suggested that I write down my thoughts during my yearly reread and do a blog post about them. She may have been joking, but I’m running with it.

This year, I reread the Harry Potter books starting just after finals in December 2018 and through April 2019 (I’m actually not finished with my reread yet but I’m planning to finish this month). I took my time with this reread, savoring the books instead of hurtling through them at my usual breakneck reading speed. This was a particularly fun reread, because at the same time I was reading the first two books, I was also reading The Unofficial Harry Potter Cookbook, which really made me focus on the food in the series. Also, in my middle grade space adventure novel, my main characters are listening to the audiobooks when they’re having downtime in the plot—the Jim Dale version, of course. This may be cut from the final draft, but right now I’m having a lot of fun interpreting the Harry Potter books from a time when interplanetary space travel is common and the books are considered classics, akin to Shakespeare.

I’m breaking up my thoughts on the Harry Potter books into three posts. This week, I’m talking about Sorcerer’s Stone and Chamber of Secrets. Next week, I’ll talk about Prisoner of Azkaban, Goblet of Fire, and Order of the Phoenix. And the week after that, assuming I’ve finished reading them, I will talk about Half-Blood Prince and Deathly Hallows. These posts are not reviews like my other posts. I will write spoiler-free reviews at some point in the future (probably for next year’s reread). These posts will be my thoughts and notes as I read the entire book, so there will be spoilers. All the spoilers. If you have not read the Harry Potter books and plan to in the future and don’t want to be spoiled in what will probably be a very confusing way, these are not the posts for you. If you have no interest in the inner workings of my brain while I’m reading these books, these are also not the posts for you. You have been warned.

Also, I ask a lot of questions in these thoughts. I’m sure there are answers out there on the web, especially on Pottermore, but I’m generally confining these posts to what’s contained in the books themselves. Also last I checked (admittedly a few years ago, thanks law school), Pottermore wasn’t all that accessible with a screenreader.

So without further ado, here is what struck me as I reread Harry potter and the Sorcerer’s Stone and Harry Potter and the Chamber of secrets this year.

Harry Potter and the Sorcerer’s Stone

Since I was living in the query trenches for my own novel when I started rereading this book, I was struck by the first chapter of the first book. I never thought much about the first chapter, which I always viewed as more of a prologue. But this time as I was reading it I was really dissecting what the point was. And I’m not sure there is a point other than to be mysterious. Everything that is introduced in the first chapter is introduced again in the subsequent chapters in a much more dynamic and developed way, and the second chapter is a more intriguing place to start the book. We all know that J. K. Rowling was rejected a lot before she got a book deal—this is like the thing that nonwriters quote at me whenever I said I was trying to get an agent—but this is the first time I really considered why that might be the case. When you submit a book, you usually submit a query letter and the first few pages, maybe the first chapter. And I can definitely see, because I’ve done it myself now, why the first Harry Potter book would get rejected so much. Don’t get me wrong, I love the first book to pieces, but the opening could have been a lot stronger.

So Dumbledore has a scar above his knee that’s an exact map of the london underground. Which makes me wonder: Does he reference that?

I really admire how so much of what happens in Diagon Alley isn’t just important for world building but is also setup for later in this book and later in the series. I really admire when a writer puts things together so well, and that’s one of the things I love about this series is just how well everything comes together.

I just love little innocent eleven-year-old Harry.

I don’t think we ever learn what the point of studying astronomy is. I’m all for studying astronomy, but every other class connects in some way to magic and this one doesn’t. Astrology comes up later in divination but that’s always treated as a joke. So what is the point of astronomy?

Why couldn’t Snape just heal his leg with magic after Fluffy bites it? Or go to Madam Pomphrey? Or get Dumbledore to do it if he doesn’t want anyone else to know?

When they’re looking for Nicholas Flammel, my first thought is that muggle-borns nowadays, used to google and smartphones, would be in for a nasty shock when they go to Hogwarts and there isn’t even electricity. I’m not even sure there’s a card catalogue for the Hogwarts library—at least it’s never mentioned. I would totally read the story about a muggle-born going to Hogwarts in 2019 and having to abandon their iPhone.

When I was a kid, it always really impressed me how Ron knew what the winged key would look like by looking for one that matches the handle. It must be a visual thing that keys match locks, which of course I wouldn’t have noticed as a kid, but even then as a twelve-year-old under pressure I don’t think I would have made the connection like that.

I love the potions logic problem. It reminds me of an LSAT logic problem, and I honest to goodness loved those. I try to diagram it every time I read it, but I’ve never managed to get it myself. I always got stuck with how to figure out which one of the end bottles lets you go forward and which one lets you go back. And I know, as someone who was just talking about the wonders of Google, maybe I should have looked it up. But I was determined that one of these days I would figure it out. And this year, I finally got it. In case anybody else has been as mystified as me, here’s how to do it.

First, here’s the riddle:

Danger lies before you, while safety lies behind,

Two of us would help you, whichever you would find,

One among us seven will let you move ahead,

Another will transport the drinker back instead,

Two among our number hold only nettle wine,

Three of us are killers, waiting hidden in line.

Choose, unless you wish to stay here forevermore,

To help you in your choice, we give you these clues four:

First, however slyly the poison tries to hide,

You will always find some on nettle wine’s left side;

Second, different are those who stand at either end,

But if you would move onward, neither is your friend;

Third, as you see clearly, both are different size,

Neither dwarf nor giant holds death in their insides;

Fourth, the second left and the second on the right,

Are twins once you taste them, though different at first sight.

And here’s how I solved it:

We have seven bottles, lined up on a table from smallest to largest. Three are nettle wine, two are poison, one lets you go forward through the black fire, and one lets you go back through the purple fire. Number the bottles 1 to 7 from left to right (because I’m treating this like at LSAT logic game). We know that neither bottle 1 nor bottle 7 is poison. We know that bottle 2 and bottle 6 are the same. So bottle 2 and bottle 6 could be wine, because there are 2 bottles of wine, but we also know that you will always find poison to the left of the nettle wine. Repeat, always. So if bottles 2 and 6 are wine, that means that bottle 1 is poison, and we know from the third clue that bottle 1 isn’t poison (we’re assuming of course that the poison is deadly, but it doesn’t work if you don’t assume that). So if 2 and 6 can’t be the wine, and they’re identical, they have to each be poison. That means that bottle number 3 has to be wine. What about bottle 7?  The second clue seems to indicate that bottles 1 and 7 won’t be your friend if you want to move forward, but forward is danger, as it says in the intro. So let’s come back to that. If 7 is wine, that would allow 6 to be poison, and leaves us with bottles 1, 4, and 5 to contend with. We know that 1 can’t be wine, because no poison to the left of it, and the clues say it isn’t poison. So bottle 1 will either let you go forward or backward. So 1 will let you go forward or back, 2 is poison, 3 is wine, 4 will either let you go forward or back or it’s poison, 5 will either let you go forward or back or it’s poison, 6 is poison, and 7 is wine. But that’s not completely solved, and I’m not seeing another clue to get you the last step.

But there’s another way to do it: 1 will either take you forward or back, 2 is poison, 3 is wine, 4 is poison, 5 is wine, 6 is poison, 7 will take you forward or back. There are three poisons and 2 wines and 7 spots, so one poison automatically won’t be directly to the left of nettle wine. Also, the pairing of the dwarf and giant twice in the second and third clues, particularly the third clue, hints that they have similar qualities—specifically fireproofing qualities. Finally, this is a much neater arrangement that fits with all the clues, and the clues are supposed to lead you to an answer.

So how do you know whether 1 or 7 will take you onward and which one will take you back? The third clue says “if you would move onward, neither is your friend.” Taken figuratively, it means one bottle will take you back, so it’s not your friend, and one bottle will take you into more danger, so it’s not your friend either. And that’s always how I read it. But you can also read it literally: if you want to go on, your friend isn’t coming with you. And so bottle number 1, the smallest bottle that will only hold enough potion for one person, will let you go forward, and bottle 7 will send you back.

Voilá. I solved it. That being said, I’m not sure I’d be comfortable enough with that solution to drink a potion and walk through fire. Given that it took me years to figure it out, I am very, very impressed with Hermione. Of course I always have been. Nobody else I know memorizes all their textbooks.

I love the twist in this book. It does such a great job of setting up Snape as the bad guy, and yet it makes perfect sense that it’s Quirrel. Voldemort sticking out of the back of Quirrel’s head is totally terrifying (like I can’t believe I first read this when I was eight). And how Harry manages to hold him off is great.

And then Neville wins them the house cup! I will always love Dumbledore for that!

Harry Potter and the Chamber of Secrets:

When I first read this book when I was a kid, I didn’t like it that much. I honestly don’t remember why. I mean okay it’s not my favorite in the series, but now when I read it, it’s so intense, and it gives me so many feelings.

The Dursleys are the worst. I wondered when I read the last book, and I feel like especially here it bears repeating, where is child services? Like when Harry and Dudley went to the same school, Harry’s teachers must have been able to tell that Harry was being neglected. He didn’t even have clothes that fit and his glasses were held together by tape. Come on people.

I know that the sixth book comes back to what happened in the second book because of Tom Riddle’s diary, but there’s also a lot of other stuff in this book that becomes important in the sixth book. Basically everything in the scene at Borgan and Burkes—the hand of glory, the opal necklace, even Harry hiding in the vanishing cabinet—are key to the sixth book. Later on, when Harry and Ron are disguised as Crabbe and Goyle, Malfoy reveals his family’s secret chamber under their drawing room floor, which will become important in the seventh book too.

Speaking of Harry hiding in the vanishing cabinet, I have fun imagining the conversation between Harry and McGonigall when he winds up traveling through the cabinets into Hogwarts and showed up at school a month before classes started. I know it’s not how it goes but it would have been a funny scene.

I feel like Harry complains a lot about not having money in the Muggle world. Why doesn’t he change some of his wizard gold for muggle money at any point during the series?

So Harry and Ron definitely cross a line for me when they steal the car to fly to Hogwarts. Like a certain amount of rule-breaking to solve the mystery like in the first book and this book and later on in the series is fine by me. But rule-breaking because the characters are being stupid and don’t think of the obvious solutions, like sending a letter to Hogwarts or waiting for Ron’s parents, kind of annoys me. Yes the car being at Hogwarts is important later, but I’m just kind of meh about how it gets there. (I like it when my characters are fundamentally smart and good.)

I love Colin Creevey. He is so cute, and he is also so brave. Annoying, yes, but it takes guts to approach a stranger and ask them for a photo. Not to mention the guts it takes to stick up for Harry against Malfoy.

Why doesn’t Hogwarts have a stash of spare wands? Or a contact with Olivander? It’s a wizard school. Accidents happen, right? Ron basically goes the whole year without doing magic, and his broken wand is frankly dangerous.

Speaking of Ron going the whole year with a broken wand, he isn’t the only one who misses large chunks of their education this year. Colin, Justin, Penelope Clearwater, Hermione, and even Ginny to some extent miss months of classes. I assume that in the first and second year it probably isn’t hugely important, but Percy’s girlfriend is a sixth year. How does she make that up? And when they cancel all exams at the end of the book, does that cover OWLS and NEWTS? These are just some questions I have.

Spiders continue to be scary, Lockhart continues to be a complete douchebag, and the ending of this book is just great. I’m not crying, you’re crying.

And that’s it for my thoughts on the first two books. I’ll be back next week to chat about the third, fourth, and fifth books.

Ableds Are Not Weird

In the last few weeks, this #AbledsAreWeird hashtag has been going around on Twitter. The hashtag was started by Imani Barbarin to express frustration at all the indignities people with disabilities have to deal with on a regular basis, and it’s gotten so big that it’s made the news. I’m probably inviting some kind of Twitter war with this post, but as you can guess from my title, I disagree.

Let me be totally clear. The experiences people are talking about on this hashtag are at best upsetting to the people who have to experience them, and many of them are worse than horrifying. I have experienced a lot of these things myself. I have been prayed over on the subway because I’m blind. I have been physically prevented from entering buildings or going upstairs. Strangers have grabbed me, my cane, or my guide dog and attempted to pull me where they think I want to go. People have taken my things and asked me personal questions, and I’ve probably been discriminated against while job hunting. And I’m talking about people in the U.S. here. So when I say I disagree with what’s happening on the #AbledsAreWeird hashtag, I’m not saying that because I’m unsympathetic. What people are talking about on this hashtag really happens. It happens on a daily basis, and it’s awful, and it hurts, and we should talk about it.

But I don’t think this is the way to talk about it.

My problem with the hashtag is pretty simple. As far as I’ve seen, and admittedly there’s a lot to scroll through so I may be missing something, the hashtag has turned into a space where people with disabilities are shouting about things people without disabilities have done to them, and then calling people without disabilities weird. Barbarin says she hopes the hashtag will make able-bodied people feel accountable for their actions, but I honestly don’t understand how. This does nothing to solve the problem. It doesn’t even really tell able-bodied people what the problem is. It just accuses them of something that they probably think of as being helpful or honest curiosity. And by accusing them in this form, I feel like it’s just pushing them away.

Ableds aren’t weird. They just don’t know that what they’re doing is insensitive or offensive. Instead of pushing them away with accusations without explanations, we should be reaching out to them with positive messages of what they can do to be helpful and what kind of questions it is appropriate to ask.

But, Jameyanne, why should it be on us to educate people about what we need all the time?

I get it. It’s frustrating to constantly have to educate the public. I’m pretty patient about it, but I definitely have days when someone tells me I can’t bring my dog into their restaurant, and I feel like exploding. But exploding doesn’t help.

When I feel like exploding, I think of a story my younger brother told me. He was with some friends when he saw a woman who was blind walking back and forth along the block across the street, obviously trying to find a specific doorway. He crossed the street, approached the woman, and offered assistance. He grew up with me, so he knows how to do this appropriately. He didn’t grab her. He just asked if he could help her find what she was looking for and offered to give her directions or sighted guide to her destination. (Sighted guide is when a blind person holds a sighted companion’s elbow and walks a half-step behind them, using their movements as a guide rather than a cane or guide dog.) My brother was polite, he used the right terminology, and the woman still exploded at him. And he came away feeling like he would never offer to help another blind person, because he didn’t want to have his head torn off for it. And I’ve heard similar stories from all sorts of other people.

So when I feel like exploding, I think of the damage I would do by exploding, and I don’t. At least not at that person. I maybe explode when I get home and I’m in private or talking to close friends.

The #AbledsAreWeird hashtag is kind of like everybody exploding at once. At best, it’s confusing for the ableds of the world. Saying “random person grabbed me and tried to drag me across the street today” doesn’t mean anything to someone who thinks that’s a helpful response to seeing a blind person on the corner. They don’t know that what they did is the opposite of helpful. They don’t even really think about what they’re doing, because if they thought about it, they’d probably realize that it is never appropriate to grab another human being and drag them across the street. So complaining about what happened on twitter doesn’t solve the problem. If anything, it makes it worse because it pushes the ableds away. And we don’t want to do that. For one thing, think how it would be to find yourself in a situation where, for whatever reason, you really need help, and you can’t find it because people are unwilling to help for fear of doing something wrong. For another, it just makes people with disabilities seem more other to able-bodied people.

It’s probably true that the hashtag has allowed people with disabilities to feel less alone over these experiences. This is certainly a valuable thing, but there are countless facebook groups, email lists, etc for disabled people to get together and gripe about an inaccessible and insensitive world. But Twitter is a public place. The people being griped at can see the griping. In my opinion, if you’re going to have a public conversation about this problem, it shouldn’t start with calling the people on one side of the argument weird. Granted, with only 280 characters to make your point, Twitter isn’t always the best forum for a productive conversation, but words matter, and personally, I think #AbledsAreWeird was a poor choice to label this hashtag.

When someone without a disability does or says something that I find inappropriate or offensive, I stop them and I educate them. When a random stranger on the street corner says “It’s time to cross,” grabs my arm (or my dog’s harness), and attempts to drag me forward, I pull free, step back, and say, “Please don’t grab me or any other blind person without permission. I appreciate that you’re trying to be helpful, but it pulls me off balance, distracts me and my dog, and endangers my safety. Also, I don’t want to go that way.”

Is this easy? No.

Can it be frustrating? Yes.

But is it necessary? Absolutely.

We have to educate people. No one else will do it for us, because they can’t. They don’t know what we need as individuals, stereotypes abound, and unfortunately most people have never interacted with someone with a disability (check out this horrifying study from Perkins School for the Blind if you don’t believe me). We, people with disabilities, know best what we need. We need to be the ones to tell people what we need and don’t need, and we need to do it in a positive way, or we will get nowhere.

Yes, it’s high time that we started publicly talking about the many microaggressions and macroaggressions we face every day as people with disabilities. But there needs to be a next step. If we’re going to say “this is not okay,” we need to say what is okay. In my opinion, this needs to be a conversation, not a one-sided shouting match.

So to start that conversation, here is your periodic reminder that you can ask me questions about what it’s like to be blind and how I do things when I can’t see. I will happily answer. I will answer based on my own experiences, so bear in mind that I am not every blind person, but I will answer. The only reason I won’t is if it’s a totally inappropriate and personal question, in which case I will tell you so. But I will not laugh at you. I will not shout at you. I will not call you weird.

So fire away.

The Final Empire Review

As I mentioned a couple days ago in my March Reading Roundup post, I’m trying out writing individual posts for each book I read and review, rather than one giant post at the end of each month. So here goes.

Cover of The Final Empire by Brandon SandersonLast month, I read The Final Empire by Brandon Sanderson. This is the first book in the Mistborn series, and since I’m definitely continuing on with the series and planning to write reviews for the next books, I wanted to write a full review of this book. As with all my reviews, this will be as spoiler-free as I can make it.

The Final Empire is epic fantasy. It was originally published as adult fantasy but I think since has been remarketed as young adult. I could see it going either way myself. This was my first Brandon Sanderson book, and I am just so glad I picked it up because it is awesome!

The Final Empire is set in a dystopian world that’s a rough analog to the early 1800s in terms of technology (or so Wikipedia tells me). Ash falls from the sky during the days, and at night supernatural mists terrorize the peasant population. A thousand years ago, the prophecied Hero of Ages fought off something called the Deepness and ascended to become the tyrant and god-king of the empire. He calls himself the Lord Ruler, and he keeps the empire on a tight leash. Only the nobility are allowed to possess magic, and the inquisitors, the police force of literal monsters are vicious in enforcing that, since magic is a genetic trait. And the peasants, or Skaa, are brutally enslaved. This is a world where the bad guy has won.

Not only has he won, but he has been in power for a thousand years. So when a street urchin named Vin is approached by Kelsier, told she can do magic, and asked to join in a plot to overthrow the Lord Ruler, she’s pretty sure he’s crazy. Vin is sixteen, and she has lived in truly desperate circumstances for her whole life. The only person who ever looked out for her, her older brother, also abused her and later abandoned her. She goes with Kelsier because she wants to learn to use her magical powers and because the inquisitors are looking for her and she needs protection, but it takes her a long time before she trusts him and his thieving crew.

Let me take a minute to talk about the magic system in this world. The main kind of magic is called Allomancy. Allomancers can consume pure metals and then burn them within their bodies to gain powers. Each metal does something different, and the metals work in pairs. For example, steel and iron allow a certain amount of telekinesis with metal—one lets you pull metal to you, one lets you push metal away, which you can use to pretty much fly. Tin heightens your senses, and pewter heightens your strength. Bronze helps you sense and strengthen others’ emotions, and copper shields your emotions—and the fact that you’re doing Allomancy at all—from others. You get the idea. There are ten metals total. Most Allomancers can only use one. A rare few Allomancers, which includes Kelsier and Vin, can use all the metals. They are called Mistborn.

Throughout the novel, we follow Vin and Kelsier. Kelsier trains Vin, and also the reader, in how Allomancy works and how to use the magic, and they put their plans against the Lord Ruler into action. Apart from studying her Allomancy, Vin becomes the crew’s spy. She infiltrates the nobility, disguised as the niece of a cooperative nobleman, and plants seeds that the crew hope will grow into a house war to destabilize the highest levels of society. Kelsier helps out with this with a few assassinations, while other members of the crew recruit and train soldiers for a Skaa army. The eventual goal is to topple the government by basically stealing the whole treasury, including all the stores of Allomantic metals. Of course, it isn’t going to be that easy. Anything and everything is going to go wrong, but throughout it all, Vin learns how to trust the new crew that has taken her in, and even how to become friends with them.

When I was in college,I worked as a submissions reader for the Kenyon Review. During one of our annual training sessions on how to read submissions, one editor said that he knew when a story was right for the magazine when reading it caused him physical pain, because the story is so good that it hurts that you didn’t write it. I related this description to my writing group, and writer’s pain became the highest compliment we could give each other’s work.

So when I say that The Final Empire gave me writer’s pain, I want you to understand exactly what I mean. This was so good. It was beyond good. It blew me away. It may be the best book I’ve read in a while. I could go on and on showering it with praise, but instead let’s talk about why.

The plot: The plot in this book is so tight and so compelling. It grabbed me up from page one and did not let go until the end. Arguably, it still hasn’t let go. We’re talking about a book that starts with the idea of a revolution and carries that idea through to its conclusion, and doesn’t even take that long to do it. The book is only 500-ish pages. (Has my feeling on what makes a long book been skewed slightly because of The Way of Kings? Maybe. Probably.) Whether you think 500 pages is long, medium, or short, there’s very little downtime in this book. That’s not to say that it’s all action all the time, though the action scenes are great. There is dancing and socializing and a romantic subplot and so many feelings. Remember I said that Vin is learning how to trust people and make friends and all that? That does not happen while they’re fighting off inquisitors all the time. Which brings me to…

The characters: I just loved them all!Especially Vin. They are so rich and strong and beautiful and flawed and it is wonderful. I love the group chemistry of the thieving crew. I love how they each have their own role but they plan together as a team. I love how they all have these moments when they break. One of my favorite moments in the book is when Vin just snaps at all of them because even though they’re Skaa too, they’ve never known what it’s like to live on the street the way she has, and then when Kelsier goes after her and calms her down and she’s now all embarrassed for flipping out, Kelsier is like “we all say stupid things sometimes, it’s cool, also you’re right.” It’s just a great moment, and the book is so full of great moments like these, largely because of these characters. And the characters’ arcs are perfection. (But in case you didn’t know, I’m a sucker for mistreated orphan finds family and learns to love stories.)

The world building and the magic system: I thought the world was really cool and mysterious, and there’s so much left to explore in the rest of the series. I really appreciated how detailed Sanderson was when describing exactly how the magic worked and what its limitations were. It was refreshing to have everything laid out so clearly.

The ending: Everything came together so well, and it was painful and messy and glorious. And while most everything was wrapped up, and I’m pretty sure you could stop reading after this book if you wanted to, enough was left dangling to entice me into the sequel. Plus i just love the world and these characters so much and I’m not ready to leave them.

No book can be absolutely perfect, and there were a couple things that bothered me. The biggest one is the romantic subplot. Vin falls in love with one of the nobles she’s supposed to be luring into a house war. This complicates the plot and it complicates Vin’s feelings for everyone involved. It wasn’t a bad plot move by any means. I actually quite like it as a natural outgrowth of Vin learning how good feelings work. My problem is with the love interest in particular. In a book populated with so many rich and vivid characters, he was just kind of meh to me. I think this is at least partly because I, like some of the other members of the crew, saw him as distracting Vin from what she was supposed to be doing. But I just didn’t like him too much. He was kind of a well-intentioned and well-read idiot. I’m trying to remain open-minded about him though, because I’m guessing he will be more important in the plot of the second book.

Other than that and a few other small things, this was such a good book. I was crying at the end. A lot. And I am dying to dive in to the rest of the series.

If you haven’t read any Brandon Sanderson before, I think this might be a good place to start. As I said, it was my first Sanderson book, and I know a number of other people who read this as their first Sanderson book as well. It’s significantly shorter than some of his other work, so it’s not as much of a time investment as another book might be.*Coughs The Way of Kings.* I’ve heard The Final Empire compared to V. E. Schwab’s Shades of Magic series. There are certainly similarities. In both, an older magician takes in a street urchin and trains her in magic and brings her into his plans and adventures. And in one book the magician is named Kell and in the other it’s Kelsier. The audiobook narrator for The Final Empire is even the same as the audiobook narrator for the second and third Shades of Magic books. The similarities pretty much end there, in my opinion, but I think it is true that if you liked A Darker Shade of Magic you will probably like The Final Empire. Oh, and they’re both fabulous! In case I hadn’t mentioned that already.

If you haven’t read The Final Empire, I hope this review helps you decide to pick it up. It is so worth it! And if you have read the book, do you agree with my opinions? Do you disagree? Tell me what you think in the comments.

March Reading Roundup

It’s still hard to believe, but it’s April now. It’s been a pretty crazy month, what with my regular homework and not-so-regular class projects, starting to apply for the bar, going down to D.C. for spring break, and then flying to Florida this week for an interview. I redesigned my website too, and I upgraded things so there shouldn’t be ads anymore. I’ve also been going home a lot, because I have five day weekends now and home is so close. It’s great, but it’s been a lot. It’s also hard to believe that I only have four weeks of classes left before finals, and then I’m done with my 3L year.

Before we dive into the books I read in March, I have a couple quick announcements. This is not an April Fools Day joke, either. Since I’m trying to post more regularly on this blog, I’m going to start doing individual reviews of books, instead of a big post every month with all the books I’ve read that month. Since I’m in the middle of a few series, I will take some time in April and May to write full reviews for books in the series I have already started this year. All the reviews will still be spoiler free, and I think I’ll still do a monthly recap post to sum up the month, but it will be shorter than these have been. This is an experiment for all of us, so feedback will definitely be appreciated.

I’ve also updated my book recs page. Books are now organized by category and then alphabetically by author’s last name. As I start writing individual reviews, I’ll link to them from that page as well.

Finally, please feel free to recommend books to me in the comments of any of my book-related posts or else use my contact form here. You should have a good sense of what I like and don’t like at this point, but I’m always happy to try new things. I will put all books recommended to me on this blog into a jar and pick at least one to read each month.

Now, let’s take a look at what I read this month.

A collage of the covers of the nine books I read in March: The Final Empire, The Burning Maze, Wren Journeymage, Beartown, The Way of Kings, The Silver Chair, The Last Battle, Found, and Home.
Covers from Goodreads

I read nine more books in March, bringing my grand total for 2019 up to 28. I would have read more, but one of these books was massive and took me two weeks to read. Also like I said it was a crazy month. Eight of the books I read were fantasy, and one was a contemporary. On the whole, this was a great reading month. I absolutely loved so many of the books I read, and everything I read was fun and thought provoking. Let’s dive in.

My first March book was The Final Empire by Brandon Sanderson. This is the first book in the Mistborn series, and the first book I’ve ever read by Brandon Sanderson. I’m going to talk about this one in much more detail this week, so I’ll keep these thoughts brief, but oh my god, I was completely blown away by this book! I totally understand the hype, it is definitely well deserved, and I’ve already purchased the next two books in the series.

Next, I read the third Trials of Apollo book, The Burning Maze by Rick Riordan. I’m also going to talk about this in more detail later on. This was definitely a fun read. Apollo is trying to free the third trapped oracle and stop a certain Roman emperor from taking over California. We learn a lot more about Meg’s backstory in this book, and of course we have Rick Riordan’s classic fun adventure feel. This was a great ride.

After that, I read the final book in the Wren series, Wren Journeymage by Sherwood Smith. Wren and her friends have finally brought peace to the kingdom, or so Wren thinks, when her old enemy, Hawk, rides into town with intentions of courting Tess. Worse, Tess knew he was coming, and she didn’t tell Wren. Angry with her friend for not trusting her advice, Wren leaves Tyron to try to persuade her to see sense and sets off to find Connor and some more adventure. There are smugglers, pirates, sea battles, cool magic, spies, and even more old enemies. This book was so much fun, and it really pulled the whole series together. While the second and third books felt a bit scattered to me, this felt a lot more unified, and it was a nice conckusion to the series. I did end up having to buy the audiobook because it wasn’t available in Braille, but no, I did not hate the narrator.

Next, I read Beartown by Fredrik Backman. Fredrik Backman also wrote And Every Morning the Way Home Gets Longer and Longer, which I read last December and adored, and I found I loved this book just as much. And it’s about hockey. I never thought I would love a book that’s centered on a sport so much, but I did. There’s a sequel, which I’m waiting to get from the library, so like the other books I’m going to talk about this in a lot more detail later this month. I’ll give you a quick synopsis though. The book is told from the point of view of a failing town whose last hope of survival is that their junior hockey team wins the national championship. They’re so, so close, and this is the only thing that matters to anyone in town. And then a fifteen-year-old girl accuses the star hockey player of raping her, and everything explodes. This book is so powerful and utterly incredible. I was literally up all night reading it, and I have a ton more to say, so stay tuned.

And now for the book that took me two weeks to read, The Way of Kings by Brandon Sanderson. This is another start to a series, so I’ll be doing a full review next week. Good thing too, because there is no way I can describe this in one paragraph. It is epic fantasy at its most epic, roughly a thousand pages of epic. I found it to be very daunting to even pick up, but after The Final Empire I had total faith in Sanderson’s ability to make every one of those thousand pages count, and for the most part he did. My very brief thoughts are that I’m not entirely convinced it had to be as long as it was, but the plotting and the world building were superb, and the way it all came together in the end was fabulous! More soon on this one.

In the last few days of March, I powered through the last two books of the Chronicles of Narnia series by C. S. Lewis, The Silver Chair and The Last Battle, and then the last two books in the Magic Thief series by Sarah Prineas, Found and Home. I really liked The Silver Chair. Eustace is brought back into Narnia along with his classmate Jill, and Aslan sends them on a mission to find Caspian’s son, who was kidnapped by The White Witch (the witch of The Lion, The Witch, and the Wardrobe). Accompanied by the marshwiggle Puddleglum, they journey north, facing man-eating giants, solving puzzles, and descending below the Earth to confront the witch in her underground layer guarded by enchanted gnomes. Overall, it was a good read. On the other hand, I found The Last Battle to be disappointing. The religious overtones were too much, and there was so much racism and sexism, and also just the plot didn’t make any sense. Like the monkey convinces the donkey to dress up as Aslan for a joke, and then somehow the monkey allies himself with the Calormen, and this ends the world? Okay that’s an oversimplification but you get the idea. On the whole, it was a disappointing end to the series.

But the last two books in the Magic Thief series were fabulous. As you might recall, I read the first two books toward the end of last year, and while I liked them, there was something missing, and I struggled to really be drawn in. The third and fourth book had that something, and I was sucked right in. These two books made the whole series awesome for me. In Found, the dark magic is threatening the city, but Conn needs to find a new locus stone so he can fight against it. So he goes on a journey and finds… dragons. And the adventure goes from there. The fourth book, Home, finds Conn dealing with new conflicts and old enemies and trying to figure out just who he is and what he’s meant to do in the world. This was another one that did a great job tying the whole series together. I liked it lots.

And that’s it for March. Have you read any of these books? Do you agree with my opinions?

2019 Check In the First

We’re just about a quarter of the way through 2019. Feel free to stop reading at this point for some existential screaming if you need to. I’m right there with you. How is it almost April? I’m still accidentally writing 2018!

However it happened, it is in fact almost April. I set some pretty ambitious goals for myself for 2019, so I thought now might be a good time to check in on my progress and course correct if I need to. So let’s go.

  1. Don’t freak out:

I have a lot of things going on this year. Last semester of law school, graduation, studying for the bar, taking the bar, moving somewhere, starting a new job, actually becoming an adult. My goal is to not panic as all this happens. I’m doing okay with that, all things considered. I’m not 100% calm by any means. Lately I’ve been having some days where I am very much a ball of stress, but I’m getting everything done that I need to get done, and I’m moving forward.

1a. Get a job:

This still hasn’t happened yet, but I have some good leads I’m working on. So here, too, continuing to move forward is good progress.

  1. Get in shape:

This has not happened. A wonky schedule during J-term, then a variety of illnesses in February meant I’ve just this month started going to the gym, and that’s been interrupted by spring break and traveling for job interviews. But I am going to the gym as often as I can. As long as I keep doing that, I’m making progress.

  1. Read 100 books:

I’ve read 25 books so far this year. If I read 8 books a month, I’ll hit 100 for the year easily, so even though I haven’t read as many books in March as I did in January and February, I’m right on target for this goal.

  1. Finish the next draft for three projects: the middle grade sci fi novel, the memory-wiping academy novel, and the WWII Italy novel.

I am nearly done with a first draft of the middle grade sci fi novel. I will almost certainly have finished a draft before I graduate. The rest of this goal is going to have to change slightly, because guys I got an agent! And we’re going to be working on revisions to my middle grade fantasy project. I don’t know how long that will take and how many drafts that will require, so I want to allow myself some leeway here. I still want to finish three drafts this year, but what they are can be flexible. And with that flexibility, I’m well on my way to meeting that goal.

4a. Get an agent:

Yes! I did this! And I am still screaming about it!

4B. Set achievable weekly writing goals:

In January, some friends and I did a mini NaNoWriMo, because November is the worst month for writing a lot if you’re a student. I set a goal of writing one chapter a week. If I finished the chapter early in the week, I had a stretch goal of writing an additional chapter, and if I did that, I got to reward myself in some way. I only ended up meeting the stretch goal once. My reward was renting The Hate U Give movie when it came out, and wow! While I only made the stretch goal once, I did write almost five chapters that month (the flu stopped me from finishing the bifth chapter), and this is a big reason I’m so close to finishing the middle grade sci fi project.

My various sicknesses in February, as well as the start of the semester and my renewed job hunting efforts, meant I didn’t get as much done in February. I had a hard time maintaining the weekly goal system without the structure of the group. But I have been moving forward. I liked the weekly goal strategy, but I also think that I have so much going on right now—finishing the semester, applying for jobs, applying for the bar, studying for the bar, revising my book with my agent—that if I try to add specific weekly writing goals on top of all that the sheer amount of things might paralyze me into not writing again. So my goal right now is to write as much as I can. When things settle down, I can be more ambitious on a weekly basis. See? Achievable writing goals.

  1. Blog more:

Okay, so, so far this hasn’t happened. We can all agree on that. But as you’ve probably noticed, I’m working on redesigning my website, and I have plans to most more regularly. I’ve already finished and scheduled a number of posts for April. So while I haven’t made much progress on this front so far, I’m turning that around now.

So that’s where I’m at. It’s a quarter of the way through 2019, and I’m making good progress. Better progress than I expected in some areas, actually. I’d like to focus on getting in shape, doing more with this blog, and of course continuing with the not panicking, the reading, and the writing in the same way I have been. And I’ll check in on these goals again in three months.

In the meantime, happy April!

February Reading Roundup

Happy March! It is still not spring. In fact it’s more winter than ever. The groundhog lied to me. How dare he?!

Though it may not be spring yet, spring break is approaching. In a couple weeks, I’m heading down to D.C. to do some preliminary exploring and orientation and mobility in case a hypothetical job I’ve applied for comes through. I’m probably jinxing it just by planning to go down there, but it’s also probably warmer there than it is here. I’m finally over my various start-of-the-semester illnesses, and I’m starting to get all the emails about ordering regalia and making sure my name is right on my diploma and doing exit counseling for my financial aid. I’ve finished my Intro to Finance Concepts course, so I have five-day weekends for the rest of the semester. Yes, that means I finally updated my book recs page to include my 2018 favorites. And yes, that means you should be getting more posts from me, and not just about the books I’m reading either.

Collage of the covers of the nine books I read in February
Covers came from Goodreads

But speaking of the books I’m reading, I read nine in February. My grand total for 2019 is 19, which is kind of cool, right?

This was an interesting reading month for me. I definitely went way out of my reading comfort zone with some of these books. I really liked a bunch of them, and some of them were a bit disappointing. These books were mostly fantasy, with a couple historical fiction, one that I can’t categorize, and one contemporary chick lit/women’s fiction (if the categorization on Goodreads is to be believed). As always, these thoughts are as spoiler-free as I can feasibly make them. Let’s dive in.

First, I finished Cassandra Clare’s Dark Artifices series. I read the first two books, Lady Midnight and Lord of Shadows, last year, but the third book, Queen of Air and Darkness, just came out last November and I just now got it out of the library. And oh! The feelings! It’s really hard to talk about this without spoiling things from the second book, because so much of what happens in the third book hinges on the ending of the second book (which definitely broke me, btw, what an ending!). Basically, in this book the characters split up and are each trying to deal with the consequences of what happened in different ways. We still have the racist Shadowhunters trying to take over the Clave, and the faeries are still stirring up trouble. There were so many things that I loved about this book, and so many things that drove me up the wall. I think it was too long, the pacing was wacky, and there were too many point of view characters. At this point, I was also kind of over Julian and Emma’s forbidden romance thing. On the other hand, the alternate world they stumble into in the middle of the book is really awesome. And I loved, loved, loved Ty and Kit’s arc, and I am so glad there’s going to be a trilogy about them because I am all over that! On the whole, this book, and this whole trilogy, were not as good as I wanted them to be after The Mortal Instruments, but I still loved the world and the characters, and I’m looking forward to more in the future.

Next, I read the third Wren book, Wren’s War by Sherwood Smith. I read the first two books in this series last year. This is another one where it’s hard to explain the plot without spoilers, because a really big thing happens at the beginning of this book and it’s important but knowing it’s coming will wreck the impact for you. And already I might have said too much. Basically though, the evil king who’s been menacing Wren, Tess, Connor, and Tyron (and the whole kingdom) is back, and he has an army. And the foursome have to raise an army of their own and defeat him. And also deal with some messy domestic politics and family squabbles while they’re at it. So much cool stuff happens in this book, and I love these four friends to pieces, especially Wren. My one complaint is that since the four are scattered around doing different things, the book kept jumping around and it was hard to give any of them the time I thought they deserved. But this is a minor complaint, and I still really liked this book. I was ready to dive right into book four after I finished this one, but I’ve been reading these books in Braille, and the fourth book isn’t available. There is an audiobook, but I hate changing formats mid-series. What if I don’t like the narrator? This definitely threw a wrench in my momentum, but I have an Audible credit, so I’m definitely going to pick up the fourth book soon.

Meanwhile, I was also reading Catch-22 by Joseph Heller. This was the first time I read this book, and I’m kind of surprised by that, given all the World War II books I’ve read and all the research I did on WWII Italy in particular a few years ago. I really loved this book. I think it’s the first book I’ve read in 2019 that’s going on my book recs page. This book tells the story of a group of U.S. Airforce officers headquartered on a fictional Italian island. It reminded me a lot of Slaughterhouse Five, which I read in college and again last year, because it definitely was a darkly humorous take on the war. But while Slaughterhouse Five is humorous in a somewhat subtle way, Catch-22 was almost a slapstick comedy. It was a wild ride, and it definitely took me a bit to get into the style of this book. At times it was bizarre and ridiculous, but it gets dark, and the craziness only serves to make the dark more profound and horrific. In short, this was a great book, and if you haven’t read it, I highly recommend.

Next up was The Narrow Road to the Deep North by Richard Flanagan. I’m going to be honest, I almost put this book down. I did put it down for a bit. And then I picked it back up again because I have guilt and can’t not finish a book. This is another WWII book, this one about a group of POWs working for the Japanese on the Burmese railroad. The book bounces around in time and place, so it also shows the lives of the prisoners after they’ve been released and are trying to live their lives. Basically everything not in the POW camp didn’t work for me. It was just written in this very pretentious style that made me grind my teeth and want to roll my eyes. The parts of the book set in the POW camp, however, were amazing. The writing was stronger. The details were crisp and vivid. I felt like I was there. There’s this one scene where the main character, who’s a doctor, is performing a tricky surgery and it was such a gruesome scene but it was also handled so incredibly. The author’s grandfather was a POW working on the Burmese railroad in World War II, and it’s obvious that the author really wanted to tell that story. It’s an important story, and it’s one that I definitely think needs to be told. I just wish Richard Flanagan had stuck to that and left the other stuff out. This book evoked a lot of strong emotions in me, in case you can’t tell. My feelings were not lukewarm on any of it, but on the other hand, it definitely stuck with me and unsettled me. I think whether you’ll enjoy this book depends a lot on your taste in what you like to read.

Next, I read The Outsiders by S. E. Hinton. This was a quick book, which I liked because it was a bit of a breather after some of the longer and heavier books I read earlier in the month (not that this book was particularly light). This is also an older book—a lot of you might have read it before—but it was totally new to me. The Outsiders tells the story of Ponyboy Curtis and his brothers, who live in a poor part of town and are part of a gang of what’s called greasers. The greasers are constantly going head to head with the socs, who are like the rich kids. Ponyboy is proud to be a greaser, to be part of the gang, and to get into fights with the socs. But one night, his friend kills a soc to save Ponyboy’s life, and Ponyboy and his friend have to go on the run. I think the age of this book and the age of the author—she was a teenager when she wrote it—definitely show today. This isn’t necessarily a bad thing. It just is a thing. I also wish I had more of a sense of the setting in this book. There were parts of the book where I had a great feel for where and when we were, and there were parts that could have been any time. But this is still a really good book, and I enjoyed it a lot. The pacing was really strong, so even though it was short, it didn’t feel like it was moving too quickly or like there wasn’t enough plot. I was gripped from start to finish, and I thought the voice was particularly strong. If you haven’t read this yet, it’s definitely one to try.

The February selection for my law school book club was Her Body and Other Parties by Carmen Maria Machado, so I picked that up next. This could not have been more different than last month’s book, Girl Made of Stars. This may in fact be the most graphic thing I have read ever, and I mean graphic in every sense of the word. Wow! This is a collection of short stories, many with a speculative or horror twist. There were a few stories that I loved: the first story, which is a retelling of that green ribbon story we all heard as kids; the story about the woman in the writing residency, which may have my favorite line in the whole book; the story about the virus with all the lists; and the story about the women fading. Sorry I can’t remember any titles. A couple of the stories I just did not get at all, like the one with the baby and the SVU one, but the author is just such a good writer that I was willing to go with it. While the subject of a lot of these stories and the graphic quality did not make this book my ideal cup of tea, the writing was just fabulous, and I did in fact enjoy it. And what, you ask, is my favorite line of the book? “Do you ever worry … that you’re the madwoman in the attic?” (I guess I was an English major after all.)

After that, I reread Harry Potter and the Order of the Phoenix by J. K. Rowling. I promise my posts on this year’s HP reread are coming. I’m waiting to finish the series so there isn’t a long gap between posts.

Next, I read Firefly Lane by Kristin Hannah. I picked this book up because I formed/joined a second book club, this one with the Cambridge chapter of the National Federation of the Blind, and this was the book that was chosen for our inaugural meeting. I wanted so much to love this book, because I just love Kristin Hannah’s The Nightingale. But this was not The Nightingale. Firefly Lane follows Tully and Kate through thirty years of friendship, from the time when they’re fourteen. This book started out really strong. I got pulled right in, and I loved the girls and their different home situations and their friendship. But I found the pacing to be weird, and the plot points to be predictable. In almost every instance, I knew what was going to happen before it did. I also felt like we were supposed to be able to sympathize with both of the main characters, and I’m sorry,I didn’t. One of them was clearly wrong all the time. Kristin Hannah is a great writer, and that’s definitely present in this book. And despite everything, I was definitely balling my eyes out at the end, so it packed an emotional punch. I just wanted it to be as good as The Nightingale, and I don’t think it was. Also I really, really want to talk to people about this, and I don’t know if I can make it to the book club meeting where we’re discussing this, so if you’ve read it, hit me up. I have feelings. Also there’s a sequel. Should I read it?

And finally, I read The Ocean At the End of the Lane by Neil Gaiman. This is the first book I’ve read by Neil Gaiman by himself (I read Good Omens back in the summer of 2012 but he co-wrote that). In this book, a man returns to his hometown for a funeral and remembers an incident in his childhood when an opal miner staying with his family committed suicide and brought monsters into the neighborhood, and the boy and his really awesome magical neighbors have to fight off the monsters. That’s the best way I can describe it, and I am in no way doing it justice. This book was yet another one that was definitely outside my reading comfort zone, because it was dark fantasy, bordering on horror, and I don’t normally like that sort of stuff. I’m more into happy adventure time, if you haven’t gathered that yet. This was a deeply odd and deeply creepy book, and it may give me nightmares, but I also loved it. The writing was stellar. The creepiness was just the right level of creepy. It didn’t make sense and it did make sense and the feelings were so vivid and I just loved it. It’s also a pretty short book, so it was easy to take the leap and try something new. I realize I’m not making a ton of sense with my thoughts on this one, but it’s just really hard to describe. But it’s great and you should give it a read. Promise.

And that’s it for February. I’ll have more coming your way soon, so stay tuned, and in the meantime, let me know if you’ve read any of these books and what you thought of them.

Exciting News!

Friends, it has finally happened.

After years of writing, rewriting, revising, rewriting, revising again, and finally querying my middle grade fantasy adventure book, yesterday I signed with a literary agent, Laurel Symonds of The Bent Agency.

Yay!!!

I’ve known this was happening for the past couple weeks, and I still can’t believe it’s real, and I am still ridiculously excited! We’re going to revise my book and then start submitting it to publishers.

It’s been a crazy couple of weeks from when I received the call to now, and I’m looking forward to telling you about the process up to this point and what happens next. But first I have to unstick myself from the ceiling and finish my homework for Monday, because law school doesn’t stop.