Tag: Mary E. Pearson

The Heart of Betrayal and Cliffhangers

Cover of The Heart of Betrayal by Mary E. PearsonAt the end of 2019, I read the Remnant Chronicles by Mary E. Pearson and absolutely loved them. In November and December of 2020, I reread the series, and I’m finally doing what I started to do in 2019 and never finished: raving to you all about them. A couple months ago, I wrote about the first book, The Kiss of Deception, and about how Mary E. Pearson pulls off a twist midway through the book that manages to be surprising without coming out of left field. You can read that post here. Now I’m back with another book review and writing topic post, and this time I’m talking about the second book in the series, The Heart of Betrayal, and what makes a good cliffhanger. Obviously, since I’m talking about the second book in a series, spoilers for The Kiss of Deception are unavoidable. If you think you might want to read the series, this probably isn’t the post for you. Also, since the writing topic I want to talk about is cliffhangers, there will also probably be some spoilers for the second book. I will make sure to flag them in the text, but as usual I will do a general spoiler-free review first before diving more deeply into my discussion of cliffhangers.

The Heart of Betrayal picks up right where The Kiss of Deception left off. Rafe has caught up with Kaden and Lia, and he’s lied to Kaden to accompany Lia into Venda. Rafe’s men are going to try and sneak into the city to help Rafe and Lia get out. But while Lia has nothing but revulsion and fear for the rulers of Venda, she cannot help but befriend the common people, and soon they are looking to her as more than just a prisoner princess. They believe, as Lia believes, that she is the one promised in the long ago prophecy Venda, founder of her namesake country, made before her husband pushed her off a wall. Lia is also growing closer to Kaden, much as she doesn’t want to. I feel like I’m doing an utterly terrible job of describing this book, but it’s really good. It’s full of political intrigue and secrets and the characters all have so much heart and resolve.

The Heart of Betrayal is certainly slower than the first book in the series. It’s more of a slow build with a lot of tension than the first book, which was pretty action-packed. We spend a lot of time getting to know Venda, and the characters all spend a lot of time getting to know each other, especially now that they all know each other’s true identities. But even though it is slower, Mary E. Pearson crafts such strong tension you can practically taste it, and it’s actually really important that we get to know Venda and the other characters so well, because that makes it real to the readers as well as Lia, and we can then fully understand her conflict as the book continues. And then of course we learn there are traitors in the court of Morrigan, Lia’s kingdom, and Venda is building an army to conquer Morrigan. And then the plans are laid, they go to escape, and all heck breaks loose.

The Heart of Betrayal works really well as both a sequel to the first book in The Remnant Chronicles and as a lead-in to the third book, which I will talk about soon. It is complex and intricate, but it is also easy to follow and full of wonderful feelings. And the ending is just fabulous

Which brings us to cliffhangers.

I think cliffhangers are something that are incredibly fun for a writer, because we live to torture our readers, but they can also be incredibly frustrating for a reader, especially if they have to wait a long time for the next book. There are a few ways to do a cliffhanger.

You could leave absolutely nothing resolved. Cassandra Clare does this at the end of the second Dark Artifices book. The book ends right as something absolutely terrible and tragic happens. Another good example of this is the ending of the third season of Castle, which ends right after someone is shot.

Another way to construct a cliffhanger is to leave the main character at a point where they have failed in their journey. This is similar to the first way, but often the author will also give the reader something else, a new element that gives the character the impetus to act, which they will do at the start of the next book. The Kiss of Deception actually does something similar to this. Lia has failed to escape, she has watched her brother die, she is surrounded by hostile soldiers and it is likely she will be killed anyway once they arrive in Venda. But then Rafe arrives, and even though he can’t overpower 500 soldiers to rescue Lia, they are now facing this together and there’s hope for an escape in the second book. The ending of Cinder by Marissa Meyer also does this quite well. Spoiler alert: Cinder is in prison, having failed to convince Kai not to marry Queen Levana and also having exposed herself as a Lunar. Queen Levana is going to take her back to the moon to execute her, but it’s this or war with Earth. Then Dr. Errland shows up with a new prosthetic hand and foot for Cinder and the news that she is the long-lost lunar princess and rightful heir to the throne, and we’re left with Cinder’s decision to break out of prison, which she does at the start of the next book. End spoilers.

The third kind of cliffhanger, and the kind I want to talk about today, is the kind of ending where almost everything is resolved except for one, maybe two things, and then there’s one final punch. The second Hunger Games book, Catching Fire, is a good example of this. Spoiler alert: Katniss has blown out the forcefield. She and several others have escaped the arena. But Peeta has been captured. And District 12 has been destroyed. End spoilers.

This might be my favorite kind of cliffhanger,. I tend to find the first kind, where we’re left in medias res, to be kind of jarring. And I’m generally frustrated by the second, though I did like the ending of Cinder. I just feel like the first and second options generally feel like the writer just hasn’t taken us all the way through the story. The third type, on the other hand, feels like we’ve reached the end of the story but the door is open for more and then we’re literally punched through that door. We the readers have taken a breath, we may even be relieved, and then something changes and it’s clear it’s not over.

I’m going to break this down in The Heart of Betrayal. Spoiler alert: The plan to escape goes awry. There’s a huge battle on the terrace. The Comizar has murdered the child Lia befriended, Aster. Lia has stabbed the Comizar. A huge battle ensues, and in the midst of it, Lia is proclaimed to the people to be the new comizar of Venda. Lia, Rafe, and Rafe’s men make a run for it. They jump onto their raft to get down the river (the only way to get across to freedom). They’re going to make it. They’re going to make it. And then bad guys show up and start shooting at them, and both Lia and Rafe fall off the raft into the river. Lia is shot, she can’t get her heavy dress off, and then she goes under. And then we switch to Rafe’s pov when he finds her on the riverbank. They are safely out of Venda, but as Rafe carries Lia on foot, we are left with him being unsure if she is going to survive. Spoilers over.

The ending of The Heart of Betrayal is wonderfully brutal. Just when we think they’re going to make it, things go wrong and we’re left unsure and dying for more. It’s everything that I personally love in a good cliffhanger.

If you’ve read The Heart of Betrayal, I’d love to know your thoughts on the whole book, particularly the ending. I would also love to know what kind of cliffhangers are your favorite and why. And of course if there’s a kind of cliffhanger I didn’t think of or if you would categorize them differently, I’d love to discuss. In the meantime, you should really give The Remnant Chronicles a read.

 

December Reading Roundup

December was a hard month. The world continued to be on fire, but most of my energy was consumed with taking care of Mopsy and trying to keep her as comfortable as possible in her final days. I was an emotional mess all month (I’m still an emotional mess), and for the first time, reading didn’t help the way it normally does. So all in all, I didn’t end up reading too much in December. I only read four books, so this will be a short post. Three of the books I read were fantasy, one middle grade and two YA, and one was a contemporary-ish middle grade (it’s set in the 1980s but it doesn’t feel historical so I don’t really know where it falls).

First, I read The Tower of Nero by Rick Riordan. This was the final book in the Trials of Apollo series, which follows the two Percy Jackson series I read in 2018 (I think). This was a fun popcorn book, but that was about it. As I’ve said when discussing the other books in this series, I felt like Apollo went on the same journey of discovering there was more to humans and basically learning not to be a terrible person several times, and while the plot was exciting and there was a lot of action, there wasn’t much left for this book to do, character-wise, so it felt very familiar. Still, if you enjoy the Percy Jackson books, the series might be up your alley.

Next, I read We Dream of Space by Erin Entrada Kelly. We all know I have a major soft spot for middle grade books about kids who love space, and this was no exception. It’s about three seventh-grade siblings learning about space in the month leading up to the launch of the Challenger. It’s largely about their struggles with their home life, because their parents aren’t great, and their relationships with each other and other kids at school. I flew through this book in maybe a day and a half, and it gave me so many feelings. I was a little thrown by the pacing, because the way I read the description on Goodreads, I thought the Challenger launch was going to happen much sooner in the book and we would spend more time with the kids during the fallout of that, particularly dealing with the girl’s dream of becoming an astronaut. But the launch occurred much later in the book than I expected. I think the problem is more with the expectations set up by the description than the book itself. It was, as you might expect, a bit of a downer, and I did wish for more positive resolution for these kids, but that also might have been my mood this month rather than a problem with the book itself. I really did like the book. I particularly loved how it included all the astronauts on the Challenger, most of whom I’ve never heard of before. And like I said, I love middle grade books about kids obsessed with space. This one is definitely worth a read.

And I finished off 2020 by completing my reread of The Remnant Chronicles with The Heart of Betrayal and The Beauty of Darkness by Mary E. Pearson. I’m planning to talk about these two books in much more depth later this week, so I won’t get into them here, but suffice it to say I loved them just as much as I did the first time through.

And that’s it for December. Have you read any of these books? What did you think of them? I’m planning to talk more about the Remnant Chronicles, as I said, and I’d like to dive a little deeper into some books I read in 2020 that have stuck with me but won’t be making it onto my 2020 favorites list, but then I’ll be back with my 2020 favorites list.

The Kiss of Deception and Surprise

I spent a lot of time last year posting individual reviews of books. A little while after I started work at the FCC, I stopped doing full reviews of every book I read, because it just got to be too much. My plan was to write reviews of books that made me think about writing in some way. And then life got busy, and then Covid started, and I’m pretty sure the only one of these I actually wrote was about Midnight Sun, and that was only marginally about the writing topic. I actually wrote this post about a year ago, but never posted it.

So let’s try all this again. My goal is to keep doing these posts going forward. Think of them as a combination of book review and writing discussion. I will try to keep these posts spoiler-free, but depending on the writing topic I’m focusing on, that might not be possible. I will flag any spoilers before I say them, though, so if you think you might want to read this book and don’t want to be spoiled, you can skip over them. I did manage to stay spoiler-free on this post, so no worries here.

So without further ado, let’s talk about a runaway princess.

Last year, I read The Kiss of Deception by Mary E. Pearson, and since I just reread it, I decided the time was ripe to talk about it. This is the first book in The Remnant Chronicles trilogy. I’m planning to discuss all three books over the next few weeks, because I have so much to say.

I talked about The Kiss of Deception a little bit in my October reading roundup last year, so apologies if this post is a little redundant with that, but I want to go into a lot more detail here.

Lia is the only princess of the kingdom of Morraghan. This means she’s the first daughter and should be blessed with the Gift, a supernatural awareness of events taking place in the present and near future. But Lia doesn’t have this magic, so she knows her parents are perpetrating a sham on another kingdom when they arrange her marriage to the prince based on the fact that she has the gift. Unwilling to be a pawn in the sham, and definitely unwilling to marry a stranger she is pretty sure is at least twice her age, Lia runs away. She and her attendant and friend, Pauline, settle in a distant village and get jobs at an inn. Then two strange young men come to stay at the inn, and Lia finds herself falling for both of them, unaware that one is the prince she left at the altar and the other is an assassin sent from the barbarian kingdom of Venda to kill her. And both the prince and the assassin are falling for her too.

Before you roll your eyes—and if I could have rolled my eyes I would have when I first started reading—this book is so much more than a runaway princess and a silly love triangle. I’m so glad I stuck with it, because by the end of the book I was hooked into this world and these characters. Yes, the first half of this book is a bit rough, mostly because Lia is pretty insufferable, and there’s not much plot beyond the kind of cringy love triangle, but face it, Lia is a runaway princess, and when everything goes sideways about halfway through the book, she gets so much better. I also really loved the world building in this book. The magic system feels fully fleshed out, even if we only see a little of it in this book. What we see of the political situation is also really well-done and intricate. Since I’ve now I read the book twice and finished the series once, I can say that it feels like Mary Pearson knew where she was going from the beginning.

Another thing that I really liked is that Mary Pearson pulled off multiple points of view—Lia’s, the prince’s, and the assassin’s—without frustrating me. So many times, when we have the villain’s point of view in a book, I get frustrated because knowing what the bad guy is up to takes out some of the tension. My prime example of this is Tamora Pierce’s Song of the Lioness series, especially the second book (I love it but it bugs me). Especially in cases where the main character is trying to figure out what the bad guy is up to, if we have the bad guy’s point of view and know what they’re up to, it takes the urgency out of the protagonist’s journey, or worse, makes the protagonist look stupid.

But it actually works to have the assassin’s point of view in this book. Part of the reason it works is that poor naive Lia is in no way suspicious of these two guys, so there’s still a lot of tension because we the readers know that she’s walking straight into a lot of trouble. But Pearson also keeps the mystery going for the reader too. We know the two guys are named Kaden and Rafe. We get chapters that are from their points of view, with chapter headings that tell us their names. But we don’t really get much of their motivations in these chapters. And Pearson is careful to phrase their thoughts so that they’re specific enough to not be frustrating but vague enough still that they could apply to either the assassin, or the prince. We also get chapters from the point of view of The Prince and The Assassin, where we get their motivations but no indication of who is who. So for the first half of the book, we know that Lia is walking straight into trouble probably, but we honestly don’t know whether she prefers the prince or the assassin, and we don’t know who is the prince and who is the assassin.

It was a ton of fun trying to fit all the pieces together and figure out who was who. And then about halfway through the book, the assassin reveals himself and kidnaps Lia, and the prince goes after her, and everything turns upside down.

I don’t want to say more because I’m doing my best to keep this spoiler-free, but the description of this book as a runaway princess gets involved in a love triangle with the prince she was supposed to marry and the assassin who is sent to kill her just doesn’t do this book justice. That’s the first half of the book, yes, but the second half, when Lia is a prisoner trying to escape, discovering her own power and magic and learning more about her world and how she came to be in this situation, is just so great, and in my opinion what this book is really about.

But my favorite part of the book is that it took me by surprise. The first time I read this book, I was positive I knew who was the prince and who was the assassin. And I was wrong.

In case you haven’t noticed, I read a lot. This was my ninety-first book of 2020. I also read a lot of YA fantasy. I’m really familiar with the tropes, and lately I’ve found myself able to predict a lot of what’s going to happen in books. Maybe not specifically, but very few things actually surprise me in books these days. But Mary Pearson totally surprised me, and I love it.

I’m not saying that the reveal of who was the assassin and who was the prince was unfounded. It wasn’t. When I looked back the first time I read this book, and as I was reading it for the second time, it makes total sense. So I really admire Pearson’s ability to both set up the true reveal so that it feels consistent with what’s happened so far and to steer her readers so effectively in the wrong direction. She weaves the details into the story so well it’s really incredible.

I want to note that I listened to the audiobook both times I read this, and it has different narrators for each of the point of view characters. The second time through this, I felt kind of stupid because the narrators for the prince and the assassin are the same for the corresponding named character, and that’s normally something I would pick up on. But I was so focused on picking apart the details that I got mixed up on the narrators and was actually convinced they swapped. I’m curious if there’s different fonts or something for each point of view in the print book, but I would also note that there are no different fonts in Braille, so if I had been reading in Braille I still would have been led down the wrong path.

When I was in college, I worked for the Kenyon Review as a first reader for submissions. One of the things the editors told us to look for when evaluating submissions was “surprise and delight.” I haven’t thought about that phrase in a long time, partly because I found that what surprised and delighted me typically wasn’t what surprised and delighted the KR editors—obviously surprise and delight is a pretty subjective metric. But as a reader, surprise and delight is still a really important factor in how I feel about books. If I find the book is predictable, then I just don’t like it as much. If I’m surprised by a book, and if that surprise is done well, that adds a lot to my enjoyment of the book. I was surprised and delighted by The Kiss of Deception, both because it managed to trick me and because it subverted a lot of typical tropes when it did so.

So while surprise and delight is definitely subjectile reader to reader, it also seems like something that us writers should shoot for. I’ve been thinking about ways to do this effectively since I first read The Kiss of Deception. It’s done so well in this book, and it’s also something that I was working on in my MG fantasy project around the same time I first read it.

So how can you surprise a reader?

This will depend on the kind of surprise you’re writing. If the surprise is crucial to the plot or part of the climax of the book, how you set that up will be more important than a surprise in a subplot, or even a surprise early on or midway through the book that changes the character’s direction. Obviously, when I say less important, that isn’t to say it isn’t important at all, and if you’re writing a surprise or a twist, you should definitely work to set it up well.

When it comes to a good surprise or twist, that the setup is key. You want to lay enough groundwork so that when the twist comes, the reader can feel like the twist makes sense and is earned in the story. At the same time, you want to slip those clues in among other details or events, because you want the reader to be, well, surprised. But the other things you use to distract from the important clues should also be important to the story, because red herrings that go nowhere feel like pointless distractors, and that’s no fun for anyone.

In the context of The Kiss of Deception, I think the way Mary Pearson set it up, with the chapters from Kaden and Rafe and The Prince and The Assassin, and separating the characters from their motivations the way she does, works really well for this book. We get the separate motivations of the prince and the assassin, but when we know we hearing from Kaden or Rafe, we are only given details of their motivations and opinions of Lia that could apply to both the assassin or the prince. At the same time, Kaden and Rafe are distinctive, well-fleshed out characters, so the intentional vagueness isn’t as frustrating as it might otherwise be.

Another point of interest in this setup is that it is very obvious it is a setup. By using chapter headings both with the characters’ names and with their titles, so to speak, Mary Pearson is all but inviting us to try to figure out who is who before it’s revealed. It would be a very different book if we had no idea that Kaden and Rafe were either prince or assassin. If we saw them from Lia’s point of view, as a trader and a farmhand come to stay at the inn where she’s working, the reveal that one is an assassin and one is a prince would come out of nowhere and feel unearned.

I would also like to point out that while this surprise is really important for this first book in the trilogy and is the surprise that got me thinking about surprises in the first place, it isn’t the only surprise in the book, and it isn’t actually that important to the series at large. Lia’s discoveries about her gift and what part she might have to play in the future of Venda are much more important to the series as a whole, yet the groundwork is laid just as thoroughly, from snippets of Lia’s facility with languages and the book she stole from the scholar, to the quotes at the end of some chapters, and so on. The clues are all there, but they are disguised as pieces of information to help build Lia’s character or to describe the world, and these little bits of information are overshadowed by the mystery of Rafe and Kaden for the reader, until hey, remember all this stuff we’ve been talking about all along, because it’s really important, have another twist. In the interest of avoiding spoilers, I won’t give more details than that.

There are a lot of ways you could pull off a compelling, convincing, and delightful surprise. The Kiss of Deception demonstrates at least two approaches. Like so many other things in writing, how you do it depends on the story you’re telling. The most concrete advice I can give here is to read a lot. Look at how authors you admire pull off twists. And just as important, look at books that don’t pull off twists effectively.

This probably should go without saying, but if you have a twist in your book, don’t just throw your story out into the world without getting some objective feedback from your trustee beta readers. Chances are, you’re way too close to your work to be able to tell if you’ve set up your twist effectively, and you have no way of knowing if it’s obvious to the readers or not. In my own work, I swung wildly back and forth between readers seeing the twist the first time certain character is introduced to readers not seeing it coming, not understanding it, and feeling it came out of nowhere before I found a balance that seems to work.

This is a topic I’m really interested in, and I’m pretty sure I’ve only scratched the surface here. If you have thoughts on how to successfully write twists and surprises into your work, I’d love to talk about them in the comments. I’d also love to know if you’ve read The Kiss of Deception and its sequels, because so far I haven’t found anyone else who’s read these books, and I am dying to talk to someone about them. Honestly, they may be the latest series that I go around yelling at people to read. I’ll be back soon with my whole reading roundup for October and then to talk about the next two books, along with talking about cliffhangers and strong female characters. But in the meantime, seriously, these books are great. You should read them. Go read them now!

September Reading Roundup

Hello. It’s mid-October, fall is upon us and covid cases are on the rise again, but I’m here to tell you about all the books I read in September. I keep trying to jrite this post earlier in the month, but this time I don’t feel that bad, because I spent the first half of this month writing and editing a short story. I haven’t finished a short story in a couple years, because of law school and the bar and working on novels, but also because writing short stories is hard guys. So this feels like a big accomplishment and I don’t mind that other things took a back seat this month.

Collage of the books I read in September: City of Bones, City of Ashes, The Bands of Mourning, Showing Off, A Song Below Water, Rules for Thieves, The Arctic Incident, and The Kiss of DeceptionBut here I am now to talk about books again. I read eight books in September. Two of them were in Braille, bringing my total number of Braille books I’ve read this year up to ten, which means I’m ahead of the game for once. Three of the books I read this month, including the two Braille books, were rereads. I started a few new series and continued others I’ve been working on. No stand-alones this month.

Honestly, I was less happy with the books I read this month than I’ve been in the past few months. There were a few books that I really liked, of course, but there were also a few that were fine but ultimately just kind of so-so for me. Almost everything I read this month was some kind of fantasy. So let’s just dive right in.

First, I reread the first two Mortal Instruments books, City of Bones and City of Glass by Cassandra Clare. Just before she turns sixteen, Clary Fray discovers she is far from the ordinary teenager she thought she was when her mother is kidnapped by demons. Clary is a Shadowhunter, a demon slayer, and together with her new Shadowhunter friends and her barely discovered powers, she sets off to find and save her mother. I haven’t reread these books since before law school, and it was really great to pick them up again. No, they aren’t the most fabulous books in the world, but they are fast and fun and full of feelings, and right now that’s about all I need.

After that I got the third book in Brandon Sanderson’s second Mistborn trilogy, The Bands of Mourning. Wax and his team of trusty investigators are sent off to find the Lord Ruler’s metalminds, before the bad guys do, of course. I felt pretty much the same way about this book that I’ve felt about the first two books in the series. It was really slow for a long time and then it picked up and became really interesting, but unfortunately, I also just don’t feel as connected to these characters as I want to.

Then I read the third Upside-Down Magic book, Showing Off by Sarah Mlynowski, Emily Jenkins, and Lauren Myracle. In this book, Nory and her friends in the Upside-Down Magic class are faced with a whole new challenge: a school talent show ⋅ coneaen ieass has to compete. And Nory’s father is coming, so whatever they do, it can’t feature their Upside-Down Magic. Meanwhile, Pepper is finally getting a grip on her magic so she doesn’t always scare animals witless, and she and the other UDM kids want to show off their magic at the talent show. I continue to love the Upside-Down Magic Adventures. I especially love how much the characters grow in this book and learn about friendship and their own special power. And Nory’s father is the worst. I can’t wait to read more in this series.

I mentioned a few months ago that I was trying to read more books by authors of color, and this month I finally got A Song Below Water by Bethany C. Morrow out of the library. Tavia is a black girl living in Portland, Oregon, where there aren’t that many other people of color and even fewer with magical powers. Tavia is also a siren, in a world where sirens are feared and persecuted. And her best friend, Effie, is, well, no one is sure but she’s definitely something. Everything is going just fine for them until a well-publicized trial of a man accused of killing his girlfriend begins, and the man claims his girlfriend was a siren as a defense. Then Tavia is pulled over by the police and accidentally uses her siren-call to get them to leave her alone, and Effie is blacking out and shedding skin and maybe turning people to stone. And suddenly staying silent is too much for Tavia. I really loved so much about this book. A lot happens, and there’s a lot of feelings, and it speaks to the current moment in our lives so well. I particularly loved Tavia’s and Effie’s friendship. On the other hand, I really struggled with the pacing in this book. Even while dealing with all this stuff, it still managed to be really slow for most of the book, and It switched from slow to fast and fast to slow so abruptly that it often threw me out of the story. So while I really did enjoy this book, it’s not one I would leap to first to recommend. On the other hand there’s a sequel or companion novel or something on the way, and I will most certainly read that.

Then I finally finished Rules for Thieves by Alexandra Ott. I’ve been trying to read this for almost six months. I read the first half of this book in Braille, but gave up because the copy I had on my BrailleNote had too many issues, so I switched to having it read to me by this app on my phone. When twelve-year-old Alli runs away from her orphanage, she gets blasted by a curse that will spread and eventually kill her. The cure, however, is super expensive. Her new friend Beck proposes she comes back to the thieves guild with him and joins, because the salary will cover the cost of the cure. This was a fun book about belonging and right and wrong, and on the whole I enjoyed it. I did feel like I had a hard time getting into it, probably because of the problems I was having in Braille and then listening to it being read to me by a robot voice. I also found I had a hard time connecting with A’li as a character. I felt like I never understood why she wanted to run away from the orphanage so badly, especially because she was going to be released in a few months anyway. And this made it hard for me to grasp the rest of the world and the stakes and everything. And while she clearly thought of herself as sassy, she came across as more annoying and whiny to me. There is a sequel to this book, but I’m not sure I’m going to read it.

Next, I read The Arctic Incident by Eoin Colfer, the second Artemis Fowl book. In this book, Artemis is trying to find his father, and Holly and the fairy police are trying to deal with a goblin rebellion. Holly and Artemis make a deal to exchange hlp and team up, and it’s really great. I just love the adventures and the teamwork and the character development we get in this book. An excellent second book to this series.

And I finished off September with The Kiss of Deception by Mary E. Pearson, the first book in The Remnant Chronicles. I read this series last year, and I believe I told you I had a full post on this book on the way. Well a year later I finally finished writing that post and will post it by the end of this week, so I’m not going to say much more than I continue to love this book and this series.

And that’s it for September. As usual, let me know if you’ve read any of these books and what you thought of them. I hope everyone is staying safe and healthy, and if you haven’t already, be sure to vote by November 3.

November Reading Roundup

I was intending to post my rambles about The Heart of Betrayal and the Beauty of Darkness before I posted this, but then I saw the date and wanted to get this post out there before it became even more ridiculous. Don’t worry, I going to talk about the rest of the Remnant Chronicles soon—but probably not until next week. But first I’m going to tell you all about the books I read in November.

November was a pretty good month. My parents came to visit and spent a week with me in D.C., I got my new writing group off the ground and after a few meetings we’re still going strong, I got sworn in as a real lawyer, and of course Thanksgiving. I managed to write every day in November too, so I’m feeling pretty proud of myself. I’ve been flipping back and forth between my middle grade space adventure project, which is what I’m showing to my new writing group, and my middle grade fantasy book, which I got more edits on from my agent. So a lot’s going on, but it’s all really good.

I can’t believe it’s already the end of December, and I’ve been living in D.C. and working at the FCC for almost four months now. I love December so much more than November, because the holiday season kicks off and everything is so much brighter and happier than November, which after daylight savings time is pretty much just dark and cold. December has Christmas lights and holiday parties and cookie swaps and carollers singing to you as you come out of the metro. See what I mean?

Collage of the covers of the 10 books I read in November 2019: The Heart of Betrayal, The Beauty of Darkness, Tunnel of Bones, Half a World Away, Willow Run, Alanna: The First Adventure, In the Hand of the Goddess, Cibola Burn, The Woman Who Rides Like a Man, and Lioness Rampant.December also means it’s time to look back at the books I read in November. I read ten books in November. Four of them were rereads. A lot of them were pretty short books that I just blew through in a single day. It was sort of a weird month in terms of how fast I read, because when my parents were visiting and when I was home for  Thanksgiving, I didn’t get much reading done because I wanted to actually interact with people instead of just hang out in my room reading. But in the couple weeks in between my parents’ visit and Thanksgiving, I just churned through a ton of books. On the whole, I was really happy with what I read this month.

First, I finished The Remnant Chronicles series by Mary E. Pearson. In October, I read the first book, The Kiss of Deception, which I talked more about here. This month I read The Heart of Betrayal and the Beauty of Darkness. Since I just talked about the first book and I’m aiming to talk about the other two soon, I’m not going to go too deep into the plot summaries in this post. The second book follows Lia, Rafe, and Kaden as they navigate life in Venda. Lia is trying to escape with Rafe, but she’s also becoming more entangled with the people of Venda. Rafe is trying to help her escape, and Kaden, of course, is trying to both keep her alive and keep her in Venda. I won’t give you a plot summary of the third book at all because basically anything I say about the third book will spoil the second book. I absolutely loved this series. The first half of the first book was a bit cringy, but it grew on me so fast, and now it’s definitely a favorite. I just love Lia and how she goes from a runaway spoiled princess to a young woman who makes these really difficult choices. She becomes such a strong character, and I love it.

Last spring, I read City of Ghosts by Victoria Schwab. The sequel, Tunnel of Bones, came out recently, and I read that next. After their adventure in Scotland, Cassidy and her family are off to Paris, where Cassidy manages to attract the attentions of a poltergheist and get a glimpse of what her ghost friend Jacob could become if he gets too strong. This book was delightfully scary, but also full of such great moments. I love Cass and Jacob’s friendship so much and I love how it develops over the course of this book. I can’t wait for the third book!

After that I read Willow Run by Patricia Reilly Giff. This is a companion novel to Lily’s Crossing, which I read last year. Twelve-year-old Meggie moves with her family to Michigan to work at the Wi’low Run airplane factory during World War II. We deal with prejudices against German Americans, a son and brother who is missing in action, and the fears of war. For being from the point of view of a twelve-year-old, it gets into some deep issues and it feels very real. Which just proves the point I make every chance I get that middle grade and young adult books can deal with really serious issues often in ways that are more poignant and powerful than adult books. This book made me cry quite a few times. Actually since it’s such a short book, I just cried the whole way. Not that it’s a downer of a book. I just have a lot of feelings sometimes.

Next, I read Half a World Away by Cynthia Kadohata. This is another book that I read in an evening. Twelve-year-old Jaden is adopted, and he considers himself an epic fail. Which is obviously why his parents are going to adopt another son. but when they arrive at the orphanage in Kazakhstan they learn that the baby they were going to adopt has been given to another family. They have to choose another baby on the spot. Jaden’s parents pick a baby, but at the same time  Jaden latches onto a different toddler. This book was another one with a lot of feelings attached to it, and I really really liked it. The ending felt a little rushed and convenient, and I felt like Jaden’s feelings that his parents were replacing him weren’t really resolved to my satisfaction, but I really did enjoy this book.

I was talking about Tamora Pierce’s books with a friend in the beginning of November, and we were being generally gleeful about the fact that her Tortall books are going to be made into a TV show. My friend asked if I’d discovered the Tortall Recall podcast, which is basically a forroup of friends who read the Tamora Pierce books as children rereading them now as adults and yelling about them. I decided to give it a try, and then decided to reread the books along with listening to the podcast. So I reread the entire Song of the Lioness series this month. As always, I really enjoyed revisiting these books about a girl who decides she wants to become a knight and disguises herself as a boy to do just that. Tamora Pierce’s books had a huge influence on me as a young writer, and even now I am banned from rereading her Circle of Magic series until I get my revisions done. But I admit that a lot of what keeps me loving the Song of the Lioness books is nostalgia. Now that I’m older, more widely read, and honestly more woke than I was even a few years ago, these books don’t stand up as well, and that makes me kind of sad. They’re still good books, I still enjoy them, and I’d still recommend them to anyone who hasn’t read them, definitely, but I now have other feelings that I need to unpack. I’m actually planning a whole post on this so stay tuned.

And finally, I read the fourth Expanse book, Cibola Burn by James S. A. Corey. After I finished the third book back in September, I said I would give this series one more book before I gave up on it, and I’m so glad I gave it one more book. Because this book was great! Now that they’ve figured out the rings, humanity has access to all these new earth-like planets, and there’s basically a land rush going on. But then there’s a group of refugees who fled Ganymede after the incident in book two and a corporation who start fighting over one of the planets, and the U.N. and the OPA send James Holden to mediate. And then of course the alien artifacts on the planet get cranky and everything goes off the rails. This was a fast easy read. I loved seeing the characters I loved from book two coming back in so many different ways, and I loved the different roles Holden and his crew were forced into in this book. It was good, and I’m pretty much sucked in for the series now, though I’m still not sure if it’s one for the favorites list.

And that’s it for November. I’ve already read a bunch of books in December, and I’ve already passed my goal of reading 100 books in 2019.  I’ll be back in a few days with a wrap up of all the crazy and great things that happened to me this year, my December reading roundup, and my favorite books of 2019. I’m also hoping to talk about the rest of the Remnant Chronicles, cliffhangers, and strong female characters soon too. In the meantime, let me know if you’ve read any of these books and what you think of them.