Some Long Overdo Website Updates and Two New Short Stories Coming Soon

Happy February, friends!

I feel like February always gets flack for being a bad month, but personally I like February. Here in D.C., the days are starting to get a bit longer and there are hints of spring in the air (not today precisely, but in February in general). Best of all, February is short, so before you know it, it’s March, and real spring is just around the corner.

January was a pretty rough month, but I’m crossing my fingers that it was just the remnants of the curse that was 2022, and things will be looking up from here. My knee is getting stronger and stronger every day, and I have lots and lots to look forward to in the months ahead.

So to start out February, I’ve finished up some updates to the website that I’ve been meaning to do for a while. First, I realized that I hadn’t written the story behind the story posts for my last two published short stories. Those are up now, so you can check out the story behind “Roomba Requires Your Attention” here and the story behind “Noa and the Dragon” here.

Next, I have redone the page with additional information about my short stories set in the world where everyone has a magical bond with their musical instruments and they use the magic created by playing their instruments to strengthen the Phoenix who carries the world. I have named the world Cantabile, and you can find more information about the world and links to all the stories set in Cantabile that I’ve had published on the new Cantabile Stories page here. The page is still a work in progress. I plan to add maps, some of the illustrations I’ve done, and links to the playlist I made for this world. If there’s anything else you think it would be cool for me to add to this page, just let me know and I’ll do my best to make it happen.

I’m still trying to figure out how I want to deal with my book recs page. It’s feeling a bit unwieldy, and I’d like to reorganize, but I haven’t figured out quite how yet. I hope to have it back up soon.

Finally, I’m really excited to share with you all that I got two short story acceptances in January. I’m still waiting on the contract for one, so I’m going to hold off sharing those details just now. But I can definitely tell you now that my story “Duet for a Soloist” will be published in Electric Spec at the end of February. This is my fourth story set in Cantabile to be published, incidentally, and I’m so excited that it’s found a home! I can’t wait for you all to read it, and I can’t wait to tell you more about the second short story I’ll have coming out in the next few months.

More soon!

January 2023 Update

Hello friends! I can’t believe we’re already at the end of January. It feels like this month has flown by, and also like it has moved incredibly slowly. In other words, it feels like it’s January.

I know one of my goals for 2023 was to post more on my blog (a perennial theme at this point), but my January was packed and stressful, so I’m letting myself off the hook for this month. I do have a whole list of things I want to write about, so stay tuned.

So what happened in January?

I had knee surgery.

Turns out knee surgery is a pretty big deal.

I spent the first half of January in a muddle of really bad pre-surgery anxiety. That comes with the territory when you’ve had fifteen eye operations as a kid. But everyone at the hospital was really fabulous at making sure I was calm and comfortable, and the surgery went well.

Then I spent the second half of January in a muddle of recovering. It’s been a lot, and it hasn’t been without hiccups. My stomach objected to the whole enterprise, forcefully and in just about every way a stomach could object. Then I had something that was possibly a blood clot. But I’m improving every day. I started using crutches a week after surgery, and now, two weeks after surgery, I’m down to one crutch and I’ve started physical therapy. Basically, I’m mobile enough to be very frustrated with how far I still have to go. I hope to be back on a bike this summer, but I’d also happily settle for being rid of this giant brace on my leg and being able to walk around without pain and without my kneecap dislocating. I do want to give a huge shout-out to all the family and friends who have stayed with me, taken care of me and my Neutron boy, sent cookies, and just dropped by to hang out and cheer me up.

With all this going on, most of my other regular pursuits have fallen a bit by the wayside. I only read three books in January, partly because I’m busy and partly because I’m still in a reading slump, though I think I might be coming out of it. My favorite book of January was THE AMULET OF SAMARKAND, the first book in Jonathan Stroud’s BARTIMAEUS TRILOGY. It had both a really compelling and humorous voice and really well done tension. I’m halfway through the second book and enjoying that quite a lot too. Perhaps I will write a blog post about the whole series when I’ve finished.

I also really enjoyed THE MARVELLERS by Dhonielle Clayton. This was a really fun, creative, and diverse take on the traditional magical school story, and I’d definitely recommend everyone check it out—though full disclosure, I did struggle with the audiobook narrator for this one, and I usually don’t have problems with audiobook narrators. I’ve been reading a lot of magical school stories in the last few months, so I’m thinking I might do a post on what those stories look like these days.

After a few weeks without much progress on my own work, I am writing again, slowly but surely. This is also helping to improve my mood immensely. I’m one of those authors who gets very cranky when I don’t write for more than a few days. I’ve decided that my writing goal for 2023 is to finish the two manuscripts I’m working on. If I have time, I have a stretch goal of going to look back at one of my older projects and do some work toward reimagining it and/or disecting it for parts, but that’s definitely a stretch goal. Otherwise, I’ve been brainstorming some ideas for fun writing posts for this blog.

Oh, one more thing. I received two short story acceptances in January. The contracts aren’t all signed, sealed, and delivered yet, so I can’t share more details, but watch this spot! I’m really excited for you to read both of these little tales.

More soon! I hope your 2023 is off to a good start and you have a happy February!

Where in the World Was Jameyanne in 2022

Happy New Year, friends!

See? I told you I’d be back.

I’m sorry I haven’t blogged that much in a long time. 2022 was an exceptionally busy year, in both good and difficult ways, and even though long-form blogging is still something I really love, I’m sorry to say it slipped by the wayside for most of the year. One of my goals of 2023 is to be better about that, especially with social media feeling so uncertain these days.

But before I tell you more about my 2023 goals, I want to tell you what I was up to in 2022 that consumed so much of my energy I didn’t update this website for months. The short answer is many, many things.

First, in 2022, I worked on five different books, all in different stages, from outlining to revision. I completely rewrote the middle grade fantasy, only for my revisions to reveal some deeper problems with the main character’s motivation and the stakes of the story which I’m still considering how to fix. I did a ton of research and then began rewriting the novella I wrote for my senior honors project in college to be a historical fantasy set in WWII Italy. I was really happy with what I was doing, but started to feel like it was just too depressing for me at the time, so I set it aside (I think I have a plan to make it less depressing though). I made some subtle revisions to my middle grade space adventure which I think really helped bring it to a new level. I outlined and started drafting a middle grade contemporary paranormal project about a girl with vampire parents who starts a club for kids with one foot in the supernatural world, and so far that’s been a delight. And all year long I’ve been plugging away at a novel set in the same world as my musical phoenix stories. I think I’m almost finished with my first draft, and while I love it more with every word I write and every discovery I make about these characters and this world, I also see how much revision this is going to need, which has made moving forward with the first draft feel really difficult. This has without a doubt been the hardest thing I have ever written, but I am also super proud of it, incredible flaws and all. I hope, when I’m done, it will be brilliant.

There were times this year, particularly when I set projects aside for the moment, when I felt like I was just spinning my wheels or even moving backward. But looking back at all the writing I’ve done and how hard I worked, I can tell that just isn’t true. No, I haven’t finished as many projects as I would have hoped in 2022, and yes, the rejections continue to come in, but I can also see that my writing has improved by leaps and bounds—my ideas, my plot structure, my characters, my world building, even my sentence to sentence writing feel like it’s at a much higher level now than at the beginning of 2022—and that’s because of how hard I worked this year.

Last spring, I also made good on something I’d been wanting to do since I moved to the D.C. area: I joined a tandem cycling group. I’ve been tandem biking with my family since I was a kid, and it was great to take my skills to the next level and bike all over the city and make new friends while I was at it. One thing led to another, and I’m now a member of two tandem cycling groups. From April to October, I was biking 20-30 miles twice a week most weeks.

Except when I wasn’t. Because I got covid from one of my tandem captains in July and was down for about six weeks. I’ve been sick before, but it was nothing like this. I have never experienced such profound fatigue. Most of the time I couldn’t hold myself up in a sitting position, and just taking my dog outside and back in left me out-of-breath and completely exhausted. This disease is no joke. If you’ve managed not to get it so far, do everything you can to keep it that way. If you’ve gotten it once before, do everything you can to make sure you don’t get it again.

Another unfortunate side effect of all the biking I did is that I somehow managed to reinjure my right knee. I twisted my knee in the past, and at first I thought I’d just aggravated the old injury, because it really didn’t hurt that much, but then I noticed my kneecap was going way out to the side whenever I bent my knee. A long saga of doctors visits and physical therapy later, and it turns out I need surgery. I tore the ligament that’s holding my kneecap in place, and it’s fully dislocating whenever I bend my knee, and this isn’t something that will heal on its own. I have been incredibly anxious about all of this, because honestly surgery is pretty much the one thing in the world I am absolutely terrified of, so it’s been a rough couple months to get to this point. My surgery is next week,and I’m looking forward both to getting on the road to recovery so I can get back to the activities I love and also just not having the prospect of surgery dangling over my head.

Back on the good side of 2022, I’m still loving my job licensing satellites at the FCC, and I’m now in charge of my office’s intern program, so it’s been a really busy time at work, but I love everything I’m doing. I’ve also been doing some work presenting at conferences and working with blind teens on how to find a job as a blind person, and that’s all been a wonderful experience.

Looking back on 2022, I can see there’s so much I did that I’m really proud of and really excited about, but at the same time, I’m hoping 2023 is a bit quieter, because I’m tired. I would like to get back to blogging more. I would also like to try more new recipes, since cooking fun new things was something else that fell through the cracks a bit this year, and I miss it.

Otherwise, I’m trying not to set too many concrete goals for myself in 2023. Yes, there are specific projects I’d like to finish, but right now I feel like it’s more important for me to challenge myself simply to keep moving forward and keep doing my best for everything I try. We’ll see what this year holds, but as long as I’m moving forward, whatever I accomplish is something to be proud of.

Roomba Requires Your Attention Published in Kaleidotrope

Hello friends. I know it’s been a while since I posted. It’s been a pretty rough few months, honestly, but I have a few posts lined up I’m really excited to share with you in the end of 2022.

In the meantime, I wanted to share with you all that my short story “Roomba Requires Your Attention” was published in Kaleidotrope last month. You can read it here.

This little story means a lot to me, because it actually got me out of the serious writer’s block I was struggling with in my second year of law school. That writer’s block, and this story as the key to overcoming it, taught me a lot about how I need to treat writing goals and take care of myself as a writer so I can keep telling the stories I love. Also, this story might be one of the funniest things I’ve written, and it was a lot of fun to marry the stress of what I was studying in law school with a near-future AI apocalypse.

I really hope you enjoy reading “Roomba Requires Your Attention” as much as I enjoyed writing it.

More soon!

January and February Update

Hello friends, and happy spring. Warm weather seems to have finally arrived in the D.C. area after a winter which was long and cold, and then not cold, and then cold again. The last couple months in particular, where we’ve swung from almost summery conditions back to the depths of winter weather have been a bit rough. But the warm weather has arrived, and the Covid numbers are a bit better, at least for now, so I’ve been tentatively stepping out of my apartment again to see friends and go to in-person barre classes (the barre requires vaccinations, and I’m testing before seeing friends).

January and February were pretty hectic months, which is why I haven’t posted recently. I moved to a bigger apartment at the end of January. I was just moving to a new apartment in the same building, so it wasn’t the hardest move I’ve ever done, but most of the month was still taken up with packing and getting through the administrative work of moving. And then I’ve been unpacking and organizing my new space throughout February. It’s been a lot of work, but I have a den now that I’ve set up as my cozy writing space, and the rest of my apartment is bigger too, so it’s overall a lot more comfortable. I also have more windows, so it’s even sunnier than my old apartment, which was an unexpected bonus.

I had so much going on in January and February that I hit a bit of a reading slump, which for me means I read about six books each month, for a total of twelve books by the end of February (I’m not exactly sure how much I read each month). Eight of the books I read were new, and four were rereads. I know this still sounds like a lot of books for two months, but I also didn’t really enjoy many of them until the end of February. A lot of them were fine, but not as special as I wanted them to be.

Of course, there were a few standouts. First was The Bone Shard Emperor by Andrea Stewart, sequel to The Bone Shard Daughter. This series, The Drowning Empire, is so rich and creative, and I adore the characters. It follows a number of very different people, the emperor’s daughter, a wanted smuggler, a woman with amnesia (best description I have), the daughter of an island governor, and a resistance leader. There’s also strange and wonderful and terrifying magic. I’m being vague because first, it’s hard to describe, but second, it’s such a joy to discover and I don’t want to spoil it. If you haven’t read it, I highly recommend, and if you have, I would love to talk about it.

The second book that really stood out to me was Sal and Gabi Break the Universe by Carlos Hernandez. This book is about Sal and Gabi, two seventh graders at a school for the arts in Miami who, well, break the universe. Literally, Sal can create wormholes, and he keeps accidentally reaching into alternate universes to, say, put raw chickens in bullies’ lockers, and to bring alternate versions of his dead mother back into his universe. Everything about this book was just so vibrant and fun and loving, and it gave me so many feelings. This is another one you simply must read!

While I didn’t feel like I got a lot of reading done in the last couple months, I did get a lot of writing done. At the beginning of December, I gave my middle grade fantasy book to a set of totally new beta readers, and I got their feedback at the end of January. It was all super useful and really helped me crystallize what the problems were with the project. I have since taken all their comments, broken it down into categories, come up with solutions to the problems identified, created a revision outline, and started revising. These haven’t been easy revisions: I’ve rewritten my opening, cut a number of characters, reordered a number of plot events to streamline the events and fix pacing issues, added some new stuff to fill in some missing pieces, and I still have to rework my climax and ending. But I’m so far really happy with what I’ve done, and hopefully I’ll wind up with an even stronger book.

Otherwise, work has been busier than ever. I’m being given a lot more responsibilities, and I’m really enjoying it. It’s hard to believe I’ve been at this job for two and a half years, and two of them have been during the pandemic. I’m definitely looking forward to getting back into the office and getting to know my coworkers again, but at least with the bigger apartment, I’m enjoying teleworking more. Who’d have thought extra space would help that.

I hope everyone’s keeping well. I’m planning to post again soon with some thoughts on researching historical fiction, assuming, of course, that I can wrangle those thoughts into something coherent. In the meantime, enjoy the start of spring.

2021 Writing and Beyond

I am aware it is already almost March (what is this madness?), so I want to get this 2021 writing wrap-up out there before it becomes even more ridiculous. The good news is, it’s taken me so long to get this posted because I’ve been writing a lot.

2021 was actually a really great writing year for me. I remember back at the end of 2019 or beginning of 2020, riding the metro home after a trivia night with my writing group friends (back when such things were safe), and talking with a friend about feeling stuck in my writing. It wasn’t that I didn’t have projects to work on, but more that we both felt we weren’t progressing in our craft and it was time to move to the next level. And in 2021, I think I finally got to that next level.

Early in 2021, my agent gave me feedback on my middle grade space adventure project. Part of that feedback was, basically, “Your pacing is a bit out of whack. Have you read Save the Cat! Writes a Novel?” And so I read Save the Cat! Writes a Novel, and it changed my writing so much. While none of the advice in the book was entirely new to me, it was presented in such a clear way that really spoke to me, with lots of easy to follow examples. Now, not only do I understand how to structure a novel better than I ever have, but I can actually articulate it to someone else, which honestly feels huge.

I’ve been recommending Save the Cat! Writes a Novel to all my writer friends, and consistent with that, if you’re interested in how stories are structured or want to get a really firm grasp on how to do it yourself, definitely go pick up Save the Cat! Writes a Novel by Jessica Broddy.

So, armed with my new understanding of story structure, in 2021 I worked through many drafts of my space adventure, including one draft with a sensitivity reader, and yes several drafts where my agent said my characters needed more voice and I failed to understand what she meant, but we got there in the end. This project means so so much to me, and finishing it, for now, was really great!

I also took my better understanding of plot and went back to an older project I’d set aside, did one major revision, and sent it off to new beta readers to get some more feedback. Finally, I started a whole novel, which I’m really excited about, even though I’m flying by the seat of my pants here a bit.

On the short story front, I wrote three or four short stories in 2021, and I think they’re some of my strongest short stories. One of them, “Moon by Moon We Go Together,” was accepted by the first market I submitted it to, the Triangulation: Habitats anthology. I’ve been shopping the other stories around, and I hope to share them with you soon.

I had two other short stories published in 2021, “Harmonies for Cadence” was published in the Voyage YA Journal, and “Noa and the Dragon” was published in the Artificial Divide anthology. And my story “Roomba Requires Your Attention” was accepted by Kaleidotrope and will be published soon. These three stories are all work I wrote a few years ago, but they are still near and dear to my heart.

I also got more involved in the writing community in 2021. I attended WorldCon (virtually because Omicron ruined my in-person plans) and voted for the 2021 Hugos, and I became a member of the Society of Children’s Book Writers and Illustrators and joined a critique group put on by my local chapter.

Finally, I want to briefly describe my writing goals for 2022. Basically, I want to keep doing what I’ve been doing. I would like to finish the first draft of the new project this year, and I would like to finish revisions on the older middle grade fantasy project I’ve pulled off the shelf. I’ve also started refreshing my research on WWII Italy in the hopes of finally revising my senior honors project from college.

2021 was a great year for leveling up my writing game, and I’m really excited to keep applying everything I’ve learned to my work in 2022. Happy writing, everyone!

Another Short Story Publication Incoming

Hello my friends, and happy December! I know I’ve been a bit absent from this blog for the last few months, despite all my best intentions. I promise there’s a bunch coming down the pipeline in the next couple weeks, as I get all my year end posts ready to go.

In the meantime, I wanted to share that my short story “Roomba Requires Your Attention” is going to be published by Kaleidotrope. This little story, about law students living through the start of the AI apocalypse, was the story that got me out of the longest writer’s block I have ever experienced, back from the end of 2017 through the spring of 2018, so it’s really special to me. It’s also kind of a funny story, which I don’t manage to write that often because funny is hard friends. I can’t wait for you to read it, and I will share more details as soon as I have them.

Artificial Divide Published

Hello friends. We have reached the end of October and I can’t believe it. I still think it’s August, and the warm weather isn’t helping. I’ve been really busy with work and writing and friends in the last couple months, and I just don’t understand where the fall went. I also just realized the Artificial Divide anthology, which includes my story “Noa and the Dragon,” came out a couple weeks ago and I haven’t shared the news.

Artificial Divide is an anthology of stories by blind authors, about blind characters. It isn’t meant to be about blindness, though of course blindness is a big part of it. It’s about blind people having their own stories, with their own agency, told accurately. It’s incredibly important and I’m glad to be part of it. My story, “Noa and the Dragon,” is set in a secondary fantasy world and is about a young girl who goes blind and how she learns to navigate safely and independently and rediscovers the joy and power of reading. This was the first story I wrote about a blind character, and the hope and vulnerability I put into it makes it really special to me.

You can find the Artificial Divide anthology here on Amazon, or wherever you prefer to buy your books. If you’re a fan of audiobooks, I actually got to narrate my story for the audio version of the anthology, which was a really cool experience. To my blind friends, the book does not appear to be up on Bookshare or Bard yet but I know the publisher and editors are working on that. Please go check out the anthology, and I hope you enjoy reading “Noa and the Dragon” as much as I enjoyed writing it.

P.S. I will put up a more detailed story behind the story page for this one ASAP. And I realize I also owe you a story behind the story post for another story I had published this year. Bear with me. It’s coming. I promise.

How to Write a Blind Character, 2021 Edition

I’m going to the World Science Fiction and Fantasy Convention in December, so I’m trying to read all of the books on the Hugo ballot. So about a month ago, I read Black Sun by Rebecca Roanhorse. I did not like it for a number of reasons, but mostly because the way the blind character was portrayed, and really the way the entire premise of the book treats the blind character, was incredibly offensive to me. To be clear, I have seen other blind people on Twitter praising this book to the heavens, so obviously opinions vary, but I disagree with them. A lot. I’m a pretty forgiving reader but this book made me want to scream and throw things. I did in fact put together a very long Twitter thread, because I felt like no one was talking about these issues with the book and they needed to be discussed. If you want to read that, it’s right over here, but that isn’t what I want to talk about in this post. Today, I want to be a bit more constructive and provide some tips on how to write a blind character.

If you’re new to my site or somehow missed it, I’m blind. I was born with Aniridia Glaucoma, which means I don’t have any irises and my eye pressure isn’t normal. I used to have some vision in my right eye, but I had to have it removed almost eight years ago, so now I have no vision in my right eye. I often describe what I see on my right as a big black hole. I do still have some vision in my left eye. I can see light and dark and colors, but I can’t see details unless I’m very close. Often if I see something, I won’t be positive what I’m looking at until I’ve touched it, unless I already know what I’m looking at. I can read print, but generally it has to be really big, and I have to be really close, and even then I’m going letter by letter. Because I don’t have irises, my eyes can’t adjust, so I have a harder time seeing in particularly bright or particularly dark settings.

All of this is relevant, because the first thing you need to know about writing a blind character is that most people who identify as blind do have some vision. Any amount of vision is useful. For example I can read the time on my alarm clock or see the temperature setting on my oven. But how blind people use their vision will vary from person to person and situation to situation. And while any amount of vision is a useful tool we might use, it probably isn’t the first tool we draw on. It’s also important to explain that any amount of vision is vast to a blind person: there is a huge difference between being totally blind and having light perception, just as there is a huge difference between having light perception and having light perception and being able to see colors. So my first piece of advice is to do your research. There is tons of literature out there on blindness, particularly from blind people’s points of view. Read it. And don’t be afraid to seek out blind people and ask questions. If you’re polite and sincere in your goal to do this right, most of us are willing to talk to you.

Do your research not only on how much blind people can see but also on the tools and skills blind people use to be independent. We travel with white canes and guide dogs to get around, and we have years of training to learn to travel safely. Our canes and guide dogs are not props to be abandoned for the sake of the plot or the action sequence (looking at you, Daredevil). They are essential for our independence. Similarly, we use assistive technology, read Braille or large print, put tactile markers on our appliances, have systems for organizing and labeling our food and matching our clothing, and so on. In the past when I’ve had roommates, I’ve had a hard and fast rule that my roommates could absolutely not move my belongings, because otherwise I could never find them again (I have a whole story about searching for my apple slicer for two weeks because someone moved it without telling me). The same goes for moving furniture, especially in familiar environments when I might not be working with my guide dog. I’m describing all these things because so often, when I see blind characters, I don’t see this level of detail on not only how they use skills to adapt to their surroundings but also how they adapt their surroundings to help them.

A big thing I see a lot when people write blind characters is a blind character who has either some kind of magic or superpower or some really advanced technology that effectively negates their blindness. This is bad, because it isn’t true disability representation. Yes, blind people go out and do both ordinary and awesome things on a daily basis in real life, but we don’t do it in spite of our blindness. We do it with our blindness. We have skills and tools and technology that help, but we are still being blind. Our blindness has shaped who we are and how we relate to the world. If you have a blind character with a superpower or advanced technology that negates their blindness, then they aren’t blind.

I’m not saying you can’t write a blind character with cool technology or magic. You definitely can, and I argue you should. If sighted characters get magic, give it to the blind characters too. But you don’t want that magic to negate their disability. One way to do this is to use the details I was discussing above, the blindness skills and tools all blind people use in our daily lives. Another option is to place your blind character in situations where their magic or technology can’t help. Toph from Avatar the Last Airbender is an excellent example of this. You can also impose limitations on the technology or magic, which arguably you should be doing anyway just for good writing, so it’s clear to the reader just how the character is using it. For example, I’m working on a project with a blind character, and she has these wristbands that help her navigate and read print, but they don’t work if she’s going too fast, and she runs into trouble. Alternatively, you can give your character a power that isn’t helpful at all in terms of seeing things. Maybe they have magic that is specifically used in cooking, for example. They can’t use that to navigate the world.

So often, I see blind characters who are just stellar at being blind. Don’t do this. No matter how skilled a blind person is, there are still times when they struggle. Heck, I walk into walls in my own apartment if I’m not paying attention. I also want to note that everyone’s feelings on their vision are different, and they may also vary.

Blind people use words like “see,” “Look,” and “watch.” We enjoy movies and TV shows and sports. At least I’m told blind people enjoy sports. I never personally got that one, but that’s because i don’t like sports, not because I’m blind. Also, a lot of blind people prefer the word ‘blind” to other terms like “visually impaired,” “visually challenged,” or “a person who is blind.” But this will vary person to person. A blind woman once vehemently attempted to convince my younger brother that I should call myself “sightless.” Honestly, that baffles me and I don’t like that as a term, but that’s what she preferred.

Do not have your blind character touch other people’s faces to understand what they look like. First of all, no one does that in real life. It’s super weird and awkward. It also doesn’t actually give the blind person any useful information. They’re not going to think of someone they met as the person whose face felt like XYZ, even if they do the weird face feeling thing. They’re going to remember the sound of their voice.

The big takeaway here is blind people are people too. Your blind characters should also be people, as fully realized as any of your other characters. Their blindness is a crucial part of their identity, but it also isn’t the only part of their identity. Blind people have jobs and hobbies and interests. They date and fall in love and marry and break up. They have pets who aren’t guide dogs. They have kids. They have lives. I would love to see more stories of blind characters that don’t focus on their blindness but are instead about them living their lives and going on adventures and having agency with their blindness.s

A quick note on blocking: if you’re writing from the point of view of a blind character, be very careful, and pay close attention to how you write your descriptions. It’s hard, which isn’t to discourage you from trying it, but as writers we usually write descriptions with sight as the primary sense, and obviously you can’t do that with a character who’s blind. You have to use all your other senses and still make it clear to the reader what’s going on. I learned to write from reading, so I too use a lot of visual descriptions, so I’ve struggled with this too, and I’m blind.

Finally, pay attention to the role you are giving your blind character. As with any kind of representation, make sure they are not filling that role because they are blind. This is particularly important if you plan to write a villain who is blind. Blind people can absolutely do terrible things, but that isn’t because they’re blind. That’s because they’re people, and people can do terrible things. But be extremely careful not to imply that your blind villain is a villain because they are blind or that blindness is inherently evil. I shouldn’t need to say this, but apparently I do (see my Black Sun Twitter thread for details). Similarly, pay close attention to the message you are sending about blindness in your book. Individual people’s feelings may vary, but blindness is not something to be feared, it does not make a person helpless or evil, it does not give a person superhearing or any other enhanced senses, or any of the other stereotypes and misconceptions that are rampant in popular media.

I do not want to discourage anyone from writing a blind character. I do not subscribe to the belief that writers should only write within their experiences, because I believe writing outside our experiences is how we learn. But that is only true if you’re willing to put in the work to do it well and not cause harm with your story, which you can do so easily if you aren’t careful, even if you have the best intentions. Please, write blind characters. We need more stories about blind people. But please, please, please do your research. Hire sensitivity readers who are blind to review your project, pay them for their time, and listen to their advice. And please pay attention to what you are ultimately saying about blindness in your work. Remember that both writing and reading are ultimately acts of empathy, and how you portray blind people on the page will impact how people see blind people out in the real world. That’s a lot of power to have, so use it for good.

Short Story News

I have a bunch of great news for you all this week.

First, the anthology Triangulation: Habitats was published this week. It includes my story “Moon by Moon We Go Together,” about how building sustainable space colonies can go wrong, the evolution of meaning in music, and general space is neat vibes. You can grab a copy of the anthology here. It’s available in paperback and Kindle additions. And once you’ve read the story, you can head over here to read about where I got the idea and how I wrote it. Writing this story was really an adventure for me, and I really hope you enjoy reading it.

The other news is that you can now preorder the Artificial Divide anthology, which will be published next month and contains my fantasy story “Noa and the Dragon.” Artificial Divide is an anthology of stories by blind writers about blind characters. I can’t wait for you all to read it. You can preorder it in a number of formats. Preorder a paperback copy here, or an ebook or audiobook copy here. Fun fact, I actually narrated my own story for the audiobook, which was a lot of fun.