Artificial Divide Published

Hello friends. We have reached the end of October and I can’t believe it. I still think it’s August, and the warm weather isn’t helping. I’ve been really busy with work and writing and friends in the last couple months, and I just don’t understand where the fall went. I also just realized the Artificial Divide anthology, which includes my story “Noa and the Dragon,” came out a couple weeks ago and I haven’t shared the news.

Artificial Divide is an anthology of stories by blind authors, about blind characters. It isn’t meant to be about blindness, though of course blindness is a big part of it. It’s about blind people having their own stories, with their own agency, told accurately. It’s incredibly important and I’m glad to be part of it. My story, “Noa and the Dragon,” is set in a secondary fantasy world and is about a young girl who goes blind and how she learns to navigate safely and independently and rediscovers the joy and power of reading. This was the first story I wrote about a blind character, and the hope and vulnerability I put into it makes it really special to me.

You can find the Artificial Divide anthology here on Amazon, or wherever you prefer to buy your books. If you’re a fan of audiobooks, I actually got to narrate my story for the audio version of the anthology, which was a really cool experience. To my blind friends, the book does not appear to be up on Bookshare or Bard yet but I know the publisher and editors are working on that. Please go check out the anthology, and I hope you enjoy reading “Noa and the Dragon” as much as I enjoyed writing it.

P.S. I will put up a more detailed story behind the story page for this one ASAP. And I realize I also owe you a story behind the story post for another story I had published this year. Bear with me. It’s coming. I promise.

August Update: Writing, Writing, and More Writing

Yes, I know I said I was going to try and get posts out more frequently, and I know it’s mid-September and I’m just now talking about August, but honestly I’ve spent the last couple weeks trying to figure out what happened to August and what I actually did. It felt like August lasted forever, but at the same time it just slid on by in a haze of hot, stormy weather and a whole lot of writing.

I did get to spend a long weekend at home with my family, which was fun, even if I squeezed all my regular doctor and dentist appointments into that time. Sidenote, flying has become really stressful. I also had some fun hangouts with my writing group where we chatted and actually got writing done. A good friend from college is moving to the D.C. area in the next couple weeks, and I also got to visit with her when she came out to apartment hunt.

Otherwise, I mostly took Neutron for walks when it wasn’t too hot or pouring rain, and I wrote. I finished my latest draft of my book, and I wrote two short short stories and a poem in August, which is just crazy. I also definitely started feeling the urge to start drafting a new book, which makes sense because I’ve pretty much been revising my book-length projects since 2019. So I snuck in an outline for the project I want to work on for National Novel Writing Month this year. I’m so excited for this one I’m not sure I can wait until November to start though.

I mentioned this on the blog a few weeks ago, but just in case you missed it, my short story “Moon by Moon We Go Together” was also published in August in the Triangulation: Habitats anthology. You can get the anthology here, and you can read more about where the story came from right over here.

While I was really productive on the writing side in August, I feel like I’ve fallen into a bit of a reading slump. It’s been worse this month than it was in August, but I’ve been having a hard time picking up new books and getting into them, even if it’s something I’m really excited to read. Once I’m into the book, I’m fine, but then when I finish it will be a few days before I pick up something new, which isn’t how I’ve been reading for the last couple years. It might be because I’ve been listening to so much of the Writing Excuses podcast, because all those episodes are so short and digestible and I’m learning so much. It’s easy to say, “I’ll just listen to one more.” But I also think I’m just generally tired, and while I’ve read some books I’ve really enjoyed, most of what I’ve read in the last few months has only been okay. I’ve read so much in the last couple years, and I feel like I’m getting picky.

I only read five books in August. A couple, like Sourdough and Honey Girl, were really fun but didn’t quite come together for me for various reasons. I really enjoyed Zero G by Dan Wells, though it felt like the author was a bit didactic on the science of how gravity works on a spaceship, even for a middle grade book. I was also a huge fan of the third Mysterious Benedict Society book, The Mysterious Benedict Society and the Prisoner’s Dilemma. I love these children and all their crazy adventures! My one complaint on that is that it sort of feels like the kids have less and less agency with each book, but that’s a very minor complaint for me because I love all this so much. (Relatedly, I did finally finish the Mysterious Benedict Society show and it was great! Would definitely recommend.

My absolute favorite book of August, though, was The Calculating Stars by Mary Robinette Kowal. This is the first book in her Lady Astronaut series. The third book is nominated for a Hugo, as is the whole series, so I decided I better read them all. And between this and my love for For All Mankind, the show on Apple TV, I’ve realized I’m definitely a fan of alternate history/science fiction about the space race. The Calculating Stars is about a woman trying to open the astronaut program to women after a meteor strikes Earth in 1952. The impact will cause massive climate change, necessitating outer space colonies. And it is amazing! You should all go read it now!

And that’s it for August. Let me know what you’ve been up to, and if you’ve read any of the books I mention here, I’d love to discuss them.

How to Write a Blind Character, 2021 Edition

I’m going to the World Science Fiction and Fantasy Convention in December, so I’m trying to read all of the books on the Hugo ballot. So about a month ago, I read Black Sun by Rebecca Roanhorse. I did not like it for a number of reasons, but mostly because the way the blind character was portrayed, and really the way the entire premise of the book treats the blind character, was incredibly offensive to me. To be clear, I have seen other blind people on Twitter praising this book to the heavens, so obviously opinions vary, but I disagree with them. A lot. I’m a pretty forgiving reader but this book made me want to scream and throw things. I did in fact put together a very long Twitter thread, because I felt like no one was talking about these issues with the book and they needed to be discussed. If you want to read that, it’s right over here, but that isn’t what I want to talk about in this post. Today, I want to be a bit more constructive and provide some tips on how to write a blind character.

If you’re new to my site or somehow missed it, I’m blind. I was born with Aniridia Glaucoma, which means I don’t have any irises and my eye pressure isn’t normal. I used to have some vision in my right eye, but I had to have it removed almost eight years ago, so now I have no vision in my right eye. I often describe what I see on my right as a big black hole. I do still have some vision in my left eye. I can see light and dark and colors, but I can’t see details unless I’m very close. Often if I see something, I won’t be positive what I’m looking at until I’ve touched it, unless I already know what I’m looking at. I can read print, but generally it has to be really big, and I have to be really close, and even then I’m going letter by letter. Because I don’t have irises, my eyes can’t adjust, so I have a harder time seeing in particularly bright or particularly dark settings.

All of this is relevant, because the first thing you need to know about writing a blind character is that most people who identify as blind do have some vision. Any amount of vision is useful. For example I can read the time on my alarm clock or see the temperature setting on my oven. But how blind people use their vision will vary from person to person and situation to situation. And while any amount of vision is a useful tool we might use, it probably isn’t the first tool we draw on. It’s also important to explain that any amount of vision is vast to a blind person: there is a huge difference between being totally blind and having light perception, just as there is a huge difference between having light perception and having light perception and being able to see colors. So my first piece of advice is to do your research. There is tons of literature out there on blindness, particularly from blind people’s points of view. Read it. And don’t be afraid to seek out blind people and ask questions. If you’re polite and sincere in your goal to do this right, most of us are willing to talk to you.

Do your research not only on how much blind people can see but also on the tools and skills blind people use to be independent. We travel with white canes and guide dogs to get around, and we have years of training to learn to travel safely. Our canes and guide dogs are not props to be abandoned for the sake of the plot or the action sequence (looking at you, Daredevil). They are essential for our independence. Similarly, we use assistive technology, read Braille or large print, put tactile markers on our appliances, have systems for organizing and labeling our food and matching our clothing, and so on. In the past when I’ve had roommates, I’ve had a hard and fast rule that my roommates could absolutely not move my belongings, because otherwise I could never find them again (I have a whole story about searching for my apple slicer for two weeks because someone moved it without telling me). The same goes for moving furniture, especially in familiar environments when I might not be working with my guide dog. I’m describing all these things because so often, when I see blind characters, I don’t see this level of detail on not only how they use skills to adapt to their surroundings but also how they adapt their surroundings to help them.

A big thing I see a lot when people write blind characters is a blind character who has either some kind of magic or superpower or some really advanced technology that effectively negates their blindness. This is bad, because it isn’t true disability representation. Yes, blind people go out and do both ordinary and awesome things on a daily basis in real life, but we don’t do it in spite of our blindness. We do it with our blindness. We have skills and tools and technology that help, but we are still being blind. Our blindness has shaped who we are and how we relate to the world. If you have a blind character with a superpower or advanced technology that negates their blindness, then they aren’t blind.

I’m not saying you can’t write a blind character with cool technology or magic. You definitely can, and I argue you should. If sighted characters get magic, give it to the blind characters too. But you don’t want that magic to negate their disability. One way to do this is to use the details I was discussing above, the blindness skills and tools all blind people use in our daily lives. Another option is to place your blind character in situations where their magic or technology can’t help. Toph from Avatar the Last Airbender is an excellent example of this. You can also impose limitations on the technology or magic, which arguably you should be doing anyway just for good writing, so it’s clear to the reader just how the character is using it. For example, I’m working on a project with a blind character, and she has these wristbands that help her navigate and read print, but they don’t work if she’s going too fast, and she runs into trouble. Alternatively, you can give your character a power that isn’t helpful at all in terms of seeing things. Maybe they have magic that is specifically used in cooking, for example. They can’t use that to navigate the world.

So often, I see blind characters who are just stellar at being blind. Don’t do this. No matter how skilled a blind person is, there are still times when they struggle. Heck, I walk into walls in my own apartment if I’m not paying attention. I also want to note that everyone’s feelings on their vision are different, and they may also vary.

Blind people use words like “see,” “Look,” and “watch.” We enjoy movies and TV shows and sports. At least I’m told blind people enjoy sports. I never personally got that one, but that’s because i don’t like sports, not because I’m blind. Also, a lot of blind people prefer the word ‘blind” to other terms like “visually impaired,” “visually challenged,” or “a person who is blind.” But this will vary person to person. A blind woman once vehemently attempted to convince my younger brother that I should call myself “sightless.” Honestly, that baffles me and I don’t like that as a term, but that’s what she preferred.

Do not have your blind character touch other people’s faces to understand what they look like. First of all, no one does that in real life. It’s super weird and awkward. It also doesn’t actually give the blind person any useful information. They’re not going to think of someone they met as the person whose face felt like XYZ, even if they do the weird face feeling thing. They’re going to remember the sound of their voice.

The big takeaway here is blind people are people too. Your blind characters should also be people, as fully realized as any of your other characters. Their blindness is a crucial part of their identity, but it also isn’t the only part of their identity. Blind people have jobs and hobbies and interests. They date and fall in love and marry and break up. They have pets who aren’t guide dogs. They have kids. They have lives. I would love to see more stories of blind characters that don’t focus on their blindness but are instead about them living their lives and going on adventures and having agency with their blindness.s

A quick note on blocking: if you’re writing from the point of view of a blind character, be very careful, and pay close attention to how you write your descriptions. It’s hard, which isn’t to discourage you from trying it, but as writers we usually write descriptions with sight as the primary sense, and obviously you can’t do that with a character who’s blind. You have to use all your other senses and still make it clear to the reader what’s going on. I learned to write from reading, so I too use a lot of visual descriptions, so I’ve struggled with this too, and I’m blind.

Finally, pay attention to the role you are giving your blind character. As with any kind of representation, make sure they are not filling that role because they are blind. This is particularly important if you plan to write a villain who is blind. Blind people can absolutely do terrible things, but that isn’t because they’re blind. That’s because they’re people, and people can do terrible things. But be extremely careful not to imply that your blind villain is a villain because they are blind or that blindness is inherently evil. I shouldn’t need to say this, but apparently I do (see my Black Sun Twitter thread for details). Similarly, pay close attention to the message you are sending about blindness in your book. Individual people’s feelings may vary, but blindness is not something to be feared, it does not make a person helpless or evil, it does not give a person superhearing or any other enhanced senses, or any of the other stereotypes and misconceptions that are rampant in popular media.

I do not want to discourage anyone from writing a blind character. I do not subscribe to the belief that writers should only write within their experiences, because I believe writing outside our experiences is how we learn. But that is only true if you’re willing to put in the work to do it well and not cause harm with your story, which you can do so easily if you aren’t careful, even if you have the best intentions. Please, write blind characters. We need more stories about blind people. But please, please, please do your research. Hire sensitivity readers who are blind to review your project, pay them for their time, and listen to their advice. And please pay attention to what you are ultimately saying about blindness in your work. Remember that both writing and reading are ultimately acts of empathy, and how you portray blind people on the page will impact how people see blind people out in the real world. That’s a lot of power to have, so use it for good.

Short Story News

I have a bunch of great news for you all this week.

First, the anthology Triangulation: Habitats was published this week. It includes my story “Moon by Moon We Go Together,” about how building sustainable space colonies can go wrong, the evolution of meaning in music, and general space is neat vibes. You can grab a copy of the anthology here. It’s available in paperback and Kindle additions. And once you’ve read the story, you can head over here to read about where I got the idea and how I wrote it. Writing this story was really an adventure for me, and I really hope you enjoy reading it.

The other news is that you can now preorder the Artificial Divide anthology, which will be published next month and contains my fantasy story “Noa and the Dragon.” Artificial Divide is an anthology of stories by blind writers about blind characters. I can’t wait for you all to read it. You can preorder it in a number of formats. Preorder a paperback copy here, or an ebook or audiobook copy here. Fun fact, I actually narrated my own story for the audiobook, which was a lot of fun.

Reading, Writing, and Swimming in July

In my last blog post, I mentioned that I wanted to try something new, more of a general life update than just a roundup of all the books I read that month. The monthly reading roundup posts were starting to feel tedious to me, and I was struggling to have energy to post other things. My hope is these posts will be more fun for me, and you, going forward and that they will give me more energy to write other things for this blog. So let’s give it a shot!

July was a pretty good month. Yes it was a million degrees in D.C. all the time, but I was able to wait to take walks with Neutron at least until the sun went down. It wasn’t much cooler then, but at least we weren’t being baked alive. I did a lot of outdoor barre classes, which was fun, and at the end of the month, the studio opened up for indoor classes, mask optional if you’re vaccinated (and they check, which makes me very happy). I also finished rewatching all of the Tangled series in Italian, and I’ve so far really been enjoying the adaptation for The Mysterious Benedict Society.

In mid-July, my friends and I went up to New Jersey for a long weekend. It was meant to be a writing retreat, and some of us got writing done, but mostly it was hours of playing a travesty of volleyball, with a beach ball, in the pool. We christened our game “sport,” because we writerly types are so creative. It was a great weekend all around. I don’t think I’ve laughed so much in a really long time, and I went back to D.C. feeling much less stressed about the state of the world.

In other good news, one of my friends at this retreat had a cold (she tested negative for Covid, otherwise she wouldn’t have come), and I did not get sick. This was the first time I can definitively say I was exposed to germs since I found out I had lime disease at the start of the pandemic. Staying at home for a year and a half and wearing a mask whenever I go out has meant I haven’t been sick in all that time, which has been wonderful and such a welcome change from the constant illness I was dealing with all through my last year of law school, studying for the bar, and my first few months in D.C., but I had no idea if my lime had become chronic or if the antibiotics had worked. So this weekend I was away with my friends, I knew for sure I had been exposed to a cold, and I did not get sick. I am absolutely delighted, because I’m pretty sure this means the antibiotics worked and I don’t have chronic lime. I feel really lucky and so relieved.

I read fourteen books in July, bringing my total for the year up to 84 books. I finished the Princess Diaries series and for the most part really enjoyed the ending (though I wish we got to actually see the royal wedding). I also finished the Greystone Secrets trilogy by Margaret Peterson Haddix. I read the first two books last year and loved them, and I reread them this month before reading the third book. The third book, The Messengers, was a lot of fun, but honestly things got weird and it didn’t feel like it pulled the mysteries together for me. This month, I also discovered the Extraordinaries series by T. J. Klune and Illuminae by Amie Kaufman and Jay Kristoff. The Extraordinaries was a lot of fun, I absolutely adore the voice and the characters, and I can’t wait to find out what happens in the third book. But a major caveat for me is I’m really not sure how the subplot with Nick’s father, who is a cop, and the issue of police brutality, is handled in these books. It felt forced and shallow to me, and this made me uncomfortable. I’m hoping it comes to something in the third book. Illuminae was cool because it started out as a typical YA romance type thing, except in space, and then about a third of the way through you realize that is not what this book is at all, and it was great. But then at about the two thirds mark, the book did something that made me think there were only two possible endings, and I didn’t like either of them, so I stopped caring. The ending is something totally different and it’s really cool and I can’t wait for the sequel, but that last bit where I didn’t care really put a damper on how I feel about the book.

My favorite book of July was Amari and the Night Brothers by B. B. Alston. This book was absolutely amazing! It’s a middle grade book about a young black girl, Amari, who joins the bureau of supernatural affairs to try to find her missing older brother. She confronts bullies, entrance trials, and evil magicians and she is awesome! She also has an illegal talent making her life a whole lot harder. This book is heartwarming and beautiful and so so powerful, and I cannot wait for the sequel! In the meantime, you should all go read it right now!

Unfortunately, I had a least favorite book of July as well, Black Sun by Rebecca Roanhorse. I read this because it was on the Hugo ballot, and I did not like it at all. I normally try to find something good in every book I read, even if it turns out that it wasn’t the right story for me, but I just couldn’t here. Not only were there so many problems with the writing and the story, but I found the ablest tropes it employed to be incredibly harmful and just all around gross. I have so much more to say on this book, and it has inspired me to work on another post on how to write blind characters without perpetuating harmful stereotypes, which I will hopefully have ready for you all next week, so stay tuned.

In happier news, I discovered Brandon Sanderson’s 2020 writing lectures at BYU on YouTube and binged them all in a week. A lot of the lessons were things I already knew because I’ve been writing a long time myself, but I definitely picked up some useful nuggets and new ways of looking at things that I think will improve my writing. I have since been listening to all of the archives of the Writing Excuses podcast too and really enjoying it. I’m very late to the party on this podcast, obviously, but in case you’re like me and haven’t listened to Writing Excuses before, I recommend it. Each episode is only fifteen minutes long, so it’s very digestible and I’ve learned a lot.

I’ve also been super productive with my writing this month. I finished a draft of my fantasy mystery project, the memory wiping Academy novel I’ve mentioned on here before. My writing group has been reading the final chapter this week and they’re giving me feedback tomorrow. The book needs a lot of work still, but I think this draft is definitely the closest I’ve been to the story I’m trying to tell.

I’ve also been hard at work on some final revisions to the middle grade space adventure novel. I’ve been trying to add more emotion and voice for each of my point of view characters. At first it was kind of a counterintuitive revision for me, because I tend to take “show don’t tell” to an extreme when it comes to character reactions and feelings, but this isn’t the best approach for middle grade, and once I got into it and adjusted my mindset, it’s actually been a really fun revision.

Finally, four years ago when I was at Seeing Eye, I had a free course on writing flash fiction, and I got about halfway through it before training with Neutron became too consuming for me to consider. I had the beginnings of seven connected flash fiction pieces set in my Phoenix Song universe, and I had middles for most of them, but I never finished, and whenever I’ve sat down to work on the project over the years something hasn’t felt right about it. This month, I had the idea to put the flash pieces together into one short story, and it worked beautifully, though my ending may still need some work. It made me really happy to finish this story and have another Phoenix story completed. Hopefully I’ll be able to share it with you soon.

When I write it all out like that, July was quite a month! I hope you’ve all been keeping safe and having fun. What have you all been up to this summer?

Moon by Moon We Go Together to Be Published in Triangulation: Habitats

Hello friends! I am so excited to share with you that my short story “Moon by Moon We Go Together” is going to be published in the anthology Triangulation: Habitats. Triangulation is an annual anthology published by Parsec Inc. For the past three years, the themes have been environmental. Triangulation: Habitats explores sustainable living, and my story is about the consequences of colonizing the solar system. I am so happy “Moon by Moon” has found a home in Triangulation: Habitats (pun intended), and I can’t wait to share it with you. The anthology will be published in August. You can learn more and help support the anthology here.

Harmonies for Cadence Published by the Voyage YA Journal

I’m a bit late posting here, but I am thrilled to announce that this week my short story “Harmonies for Cadence” was accepted and published by the Voyage YA Journal. You can read it right over here. This story is set in the same world as a couple of my other works, my short story “Dissonance” and my poem “A World in Seven Flames,” so I have also set up a page collecting all my Phoenix stories and some fun stuff about the world. I’ll add more to that page as we go. In the meantime, I am so excited to finally share “Harmonies for Cadence” with all of you. I hope you have as much fun reading it as I did writing it.

The Heart of Betrayal and Cliffhangers

Cover of The Heart of Betrayal by Mary E. PearsonAt the end of 2019, I read the Remnant Chronicles by Mary E. Pearson and absolutely loved them. In November and December of 2020, I reread the series, and I’m finally doing what I started to do in 2019 and never finished: raving to you all about them. A couple months ago, I wrote about the first book, The Kiss of Deception, and about how Mary E. Pearson pulls off a twist midway through the book that manages to be surprising without coming out of left field. You can read that post here. Now I’m back with another book review and writing topic post, and this time I’m talking about the second book in the series, The Heart of Betrayal, and what makes a good cliffhanger. Obviously, since I’m talking about the second book in a series, spoilers for The Kiss of Deception are unavoidable. If you think you might want to read the series, this probably isn’t the post for you. Also, since the writing topic I want to talk about is cliffhangers, there will also probably be some spoilers for the second book. I will make sure to flag them in the text, but as usual I will do a general spoiler-free review first before diving more deeply into my discussion of cliffhangers.

The Heart of Betrayal picks up right where The Kiss of Deception left off. Rafe has caught up with Kaden and Lia, and he’s lied to Kaden to accompany Lia into Venda. Rafe’s men are going to try and sneak into the city to help Rafe and Lia get out. But while Lia has nothing but revulsion and fear for the rulers of Venda, she cannot help but befriend the common people, and soon they are looking to her as more than just a prisoner princess. They believe, as Lia believes, that she is the one promised in the long ago prophecy Venda, founder of her namesake country, made before her husband pushed her off a wall. Lia is also growing closer to Kaden, much as she doesn’t want to. I feel like I’m doing an utterly terrible job of describing this book, but it’s really good. It’s full of political intrigue and secrets and the characters all have so much heart and resolve.

The Heart of Betrayal is certainly slower than the first book in the series. It’s more of a slow build with a lot of tension than the first book, which was pretty action-packed. We spend a lot of time getting to know Venda, and the characters all spend a lot of time getting to know each other, especially now that they all know each other’s true identities. But even though it is slower, Mary E. Pearson crafts such strong tension you can practically taste it, and it’s actually really important that we get to know Venda and the other characters so well, because that makes it real to the readers as well as Lia, and we can then fully understand her conflict as the book continues. And then of course we learn there are traitors in the court of Morrigan, Lia’s kingdom, and Venda is building an army to conquer Morrigan. And then the plans are laid, they go to escape, and all heck breaks loose.

The Heart of Betrayal works really well as both a sequel to the first book in The Remnant Chronicles and as a lead-in to the third book, which I will talk about soon. It is complex and intricate, but it is also easy to follow and full of wonderful feelings. And the ending is just fabulous

Which brings us to cliffhangers.

I think cliffhangers are something that are incredibly fun for a writer, because we live to torture our readers, but they can also be incredibly frustrating for a reader, especially if they have to wait a long time for the next book. There are a few ways to do a cliffhanger.

You could leave absolutely nothing resolved. Cassandra Clare does this at the end of the second Dark Artifices book. The book ends right as something absolutely terrible and tragic happens. Another good example of this is the ending of the third season of Castle, which ends right after someone is shot.

Another way to construct a cliffhanger is to leave the main character at a point where they have failed in their journey. This is similar to the first way, but often the author will also give the reader something else, a new element that gives the character the impetus to act, which they will do at the start of the next book. The Kiss of Deception actually does something similar to this. Lia has failed to escape, she has watched her brother die, she is surrounded by hostile soldiers and it is likely she will be killed anyway once they arrive in Venda. But then Rafe arrives, and even though he can’t overpower 500 soldiers to rescue Lia, they are now facing this together and there’s hope for an escape in the second book. The ending of Cinder by Marissa Meyer also does this quite well. Spoiler alert: Cinder is in prison, having failed to convince Kai not to marry Queen Levana and also having exposed herself as a Lunar. Queen Levana is going to take her back to the moon to execute her, but it’s this or war with Earth. Then Dr. Errland shows up with a new prosthetic hand and foot for Cinder and the news that she is the long-lost lunar princess and rightful heir to the throne, and we’re left with Cinder’s decision to break out of prison, which she does at the start of the next book. End spoilers.

The third kind of cliffhanger, and the kind I want to talk about today, is the kind of ending where almost everything is resolved except for one, maybe two things, and then there’s one final punch. The second Hunger Games book, Catching Fire, is a good example of this. Spoiler alert: Katniss has blown out the forcefield. She and several others have escaped the arena. But Peeta has been captured. And District 12 has been destroyed. End spoilers.

This might be my favorite kind of cliffhanger,. I tend to find the first kind, where we’re left in medias res, to be kind of jarring. And I’m generally frustrated by the second, though I did like the ending of Cinder. I just feel like the first and second options generally feel like the writer just hasn’t taken us all the way through the story. The third type, on the other hand, feels like we’ve reached the end of the story but the door is open for more and then we’re literally punched through that door. We the readers have taken a breath, we may even be relieved, and then something changes and it’s clear it’s not over.

I’m going to break this down in The Heart of Betrayal. Spoiler alert: The plan to escape goes awry. There’s a huge battle on the terrace. The Comizar has murdered the child Lia befriended, Aster. Lia has stabbed the Comizar. A huge battle ensues, and in the midst of it, Lia is proclaimed to the people to be the new comizar of Venda. Lia, Rafe, and Rafe’s men make a run for it. They jump onto their raft to get down the river (the only way to get across to freedom). They’re going to make it. They’re going to make it. And then bad guys show up and start shooting at them, and both Lia and Rafe fall off the raft into the river. Lia is shot, she can’t get her heavy dress off, and then she goes under. And then we switch to Rafe’s pov when he finds her on the riverbank. They are safely out of Venda, but as Rafe carries Lia on foot, we are left with him being unsure if she is going to survive. Spoilers over.

The ending of The Heart of Betrayal is wonderfully brutal. Just when we think they’re going to make it, things go wrong and we’re left unsure and dying for more. It’s everything that I personally love in a good cliffhanger.

If you’ve read The Heart of Betrayal, I’d love to know your thoughts on the whole book, particularly the ending. I would also love to know what kind of cliffhangers are your favorite and why. And of course if there’s a kind of cliffhanger I didn’t think of or if you would categorize them differently, I’d love to discuss. In the meantime, you should really give The Remnant Chronicles a read.

 

A World in Seven Flames Published in Twilight Worlds Anthology

This actually happened last week, but it was a crazy week, so I’m only telling people now. The anthology Twilight Worlds: Best of New Myths Volume II, which includes my poem “A World in Seven Flames,” has been published. You can get it on Amazon here, and it should be available from other retailers and in other eBook forms soon. “A World in Seven Flames” is my first speculative poem, and also the first poem I’ve written in a long time. It is also set in the same world as my short story “Dissonance,” which was published by Abyss and Apex in 2016. I hope you enjoy. And once you’ve read the poem, head over here to read about the story behind “A World in Seven Flames.”

Another Short Story Publication

I am so excited to announce my short story “Noa and the Dragon” is going to be published in the anthology The Artificial Divide.

The Artificial Divide is an #OwnVoices anthology of stories by blind and visually impaired authors and about blind and visually impaired characters.

This isn’t the first story I’ve had published that’s about a blind person—my story “Polaris in the Dark” is also about a blind character—but “Noa and the Dragon” was the first story I ever wrote with a blind protagonist, and I can’t wait to share it with you.

I’ll share more details about the anthology as I learn them. In the meantime, if you’re a blind or visually impaired author, the call for submissions will be open until January 31.